Part XVII
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| | The Pontelliers possessed a very charming home on Esplanade | |
| | Street in New Orleans. It was a large, double cottage, with a | |
| | broad front veranda, whose round, fluted columns supported the | |
| | sloping roof. The house was painted a dazzling white; the outside | |
| | shutters, or jalousies, were green. In the yard, which was kept | |
| | scrupulously neat, were flowers and plants of every description | |
| | which flourishes in South Louisiana. Within doors the appointments | |
| | were perfect after the conventional type. The softest carpets and | |
| | rugs covered the floors; rich and tasteful draperies hung at doors | |
| | and windows. There were paintings, selected with judgment and | |
| | discrimination, upon the walls. The cut glass, the silver, the | |
| | heavy damask which daily appeared upon the table were the envy of | |
| | many women whose husbands were less generous than Mr. Pontellier. | |
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| | Mr. Pontellier was very fond of walking about his house | |
| | examining its various appointments and details, to see that nothing | |
| | was amiss. He greatly valued his possessions, chiefly because they | |
| | were his, and derived genuine pleasure from contemplating a | |
| | painting, a statuette, a rare lace curtain—no matter what—after | |
| | he had bought it and placed it among his household gods. | |
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| | On Tuesday afternoons—Tuesday being Mrs. Pontellier's | |
| | reception day—there was a constant stream of callers—women who | |
| | came in carriages or in the street cars, or walked when the air was | |
| | soft and distance permitted. A light-colored mulatto boy, | |
| | in dress coat and bearing a diminutive silver tray | |
| | for the reception of cards, admitted them. A maid, | |
| | in white fluted cap, offered the callers liqueur, coffee, | |
| | or chocolate, as they might desire. Mrs. Pontellier, attired in a | |
| | handsome reception gown, remained in the drawing-room the entire | |
| | afternoon receiving her visitors. Men sometimes called in the | |
| | evening with their wives. | |
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| | This had been the programme which Mrs. Pontellier had | |
| | religiously followed since her marriage, six years before. Certain | |
| | evenings during the week she and her husband attended the opera or | |
| | sometimes the play. | |
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| | Mr. Pontellier left his home in the mornings between nine and | |
| | ten o'clock, and rarely returned before half-past six or seven in | |
| | the evening—dinner being served at half-past seven. | |
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| | He and his wife seated themselves at table one Tuesday | |
| | evening, a few weeks after their return from Grand Isle. They were | |
| | alone together. The boys were being put to bed; the patter of | |
| | their bare, escaping feet could be heard occasionally, as well as | |
| | the pursuing voice of the quadroon, lifted in mild protest and | |
| | entreaty. Mrs. Pontellier did not wear her usual Tuesday reception | |
| | gown; she was in ordinary house dress. Mr. Pontellier, who was | |
| | observant about such things, noticed it, as he served the soup and | |
| | handed it to the boy in waiting. | |
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| | "Tired out, Edna? Whom did you have? Many callers?" he asked. | |
| | He tasted his soup and began to season it with pepper, salt, | |
| | vinegar, mustard—everything within reach. | |
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| | "There were a good many," replied Edna, who was eating her | |
| | soup with evident satisfaction. "I found their cards when I got | |
| | home; I was out." | |
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| | "Out!" exclaimed her husband, with something like genuine | |
| | consternation in his voice as he laid down the vinegar cruet and | |
| | looked at her through his glasses. "Why, what could have taken you | |
| | out on Tuesday? What did you have to do?" | |
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| | "Nothing. I simply felt like going out, and I went out." | |
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| | "Well, I hope you left some suitable excuse," said her husband, | |
| | somewhat appeased, as he added a dash of cayenne pepper to the soup. | |
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| | "No, I left no excuse. I told Joe to say I was out, that was all." | |
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| | "Why, my dear, I should think you'd understand by this time | |
| | that people don't do such things; we've got to observe les | |
| | convenances if we ever expect to get on and keep up with the | |
| | procession. If you felt that you had to leave home this afternoon, | |
| | you should have left some suitable explanation for your absence. | |
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| | "This soup is really impossible; it's strange that woman | |
| | hasn't learned yet to make a decent soup. Any free-lunch stand in | |
| | town serves a better one. Was Mrs. Belthrop here?" | |
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| | "Bring the tray with the cards, Joe. I don't remember who was here." | |
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| | The boy retired and returned after a moment, bringing the tiny | |
| | silver tray, which was covered with ladies' visiting cards. He | |
| | handed it to Mrs. Pontellier. | |
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| | "Give it to Mr. Pontellier," she said. | |
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| | Joe offered the tray to Mr. Pontellier, and removed the soup. | |
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| | Mr. Pontellier scanned the names of his wife's callers, | |
| | reading some of them aloud, with comments as he read. | |
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| | "`The Misses Delasidas.' I worked a big deal in futures for | |
| | their father this morning; nice girls; it's time they were getting | |
| | married. `Mrs. Belthrop.' I tell you what it is, Edna; you can't | |
| | afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us | |
| | ten times over. His business is worth a good, round sum to me. | |
| | You'd better write her a note. `Mrs. James Highcamp.' Hugh! the | |
| | less you have to do with Mrs. Highcamp, the better. `Madame | |
| | Laforce.' Came all the way from Carrolton, too, poor old soul. | |
| | 'Miss Wiggs,' `Mrs. Eleanor Boltons.'" He pushed the cards aside. | |
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| | "Mercy!" exclaimed Edna, who had been fuming. "Why are you | |
| | taking the thing so seriously and making such a fuss over it?" | |
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| | "I'm not making any fuss over it. But it's just such seeming trifles | |
| | that we've got to take seriously; such things count." | |
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| | The fish was scorched. Mr. Pontellier would not touch it. | |
| | Edna said she did not mind a little scorched taste. The roast was | |
| | in some way not to his fancy, and he did not like the manner in | |
| | which the vegetables were served. | |
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| | "It seems to me," he said, "we spend money enough in this | |
| | house to procure at least one meal a day which a man could eat and | |
| | retain his self-respect." | |
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| | "You used to think the cook was a treasure," returned Edna, | |
| | indifferently. | |
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| | "Perhaps she was when she first came; but cooks are only | |
| | human. They need looking after, like any other class of persons | |
| | that you employ. Suppose I didn't look after the clerks in my | |
| | office, just let them run things their own way; they'd soon make a | |
| | nice mess of me and my business." | |
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| | "Where are you going?" asked Edna, seeing that her husband | |
| | arose from table without having eaten a morsel except a taste of | |
| | the highly-seasoned soup. | |
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| | "I'm going to get my dinner at the club. Good night." He went | |
| | into the hall, took his hat and stick from the stand, and left the | |
| | house. | |
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| | She was somewhat familiar with such scenes. They had often | |
| | made her very unhappy. On a few previous occasions she had been | |
| | completely deprived of any desire to finish her dinner. Sometimes | |
| | she had gone into the kitchen to administer a tardy rebuke to the | |
| | cook. Once she went to her room and studied the cookbook during an | |
| | entire evening, finally writing out a menu for the week, which left | |
| | her harassed with a feeling that, after all, she had accomplished | |
| | no good that was worth the name. | |
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| | But that evening Edna finished her dinner alone, with forced | |
| | deliberation. Her face was flushed and her eyes flamed with some | |
| | inward fire that lighted them. After finishing her dinner she went | |
| | to her room, having instructed the boy to tell any other callers | |
| | that she was indisposed. | |
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| | It was a large, beautiful room, rich and picturesque in | |
| | the soft, dim light which the maid had turned low. She went | |
| | and stood at an open window and looked out upon the deep tangle | |
| | of the garden below. All the mystery and witchery of the night | |
| | seemed to have gathered there amid the perfumes and the dusky | |
| | and tortuous outlines of flowers and foliage. She was seeking | |
| | herself and finding herself in just such sweet, half-darkness which | |
| | met her moods. But the voices were not soothing that came to her | |
| | from the darkness and the sky above and the stars. They jeered and | |
| | sounded mournful notes without promise, devoid even of hope. She | |
| | turned back into the room and began to walk to and fro down its | |
| | whole length, without stopping, without resting. She carried in | |
| | her hands a thin handkerchief, which she tore into ribbons, rolled | |
| | into a ball, and flung from her. Once she stopped, and taking off | |
| | her wedding ring, flung it upon the carpet. When she saw it lying | |
| | there, she stamped her heel upon it, striving to crush it. But her | |
| | small boot heel did not make an indenture, not a mark upon the | |
| | little glittering circlet. | |
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| | In a sweeping passion she seized a glass vase from the table | |
| | and flung it upon the tiles of the hearth. She wanted to destroy | |
| | something. The crash and clatter were what she wanted to hear. | |
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| | A maid, alarmed at the din of breaking glass, entered the room | |
| | to discover what was the matter. | |
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| | "A vase fell upon the hearth," said Edna. "Never mind; leave | |
| | it till morning." | |
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| | "Oh! you might get some of the glass in your feet, ma'am," | |
| | insisted the young woman, picking up bits of the broken vase that | |
| | were scattered upon the carpet. "And here's your ring, ma'am, | |
| | under the chair." | |
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| | Edna held out her hand, and taking the ring, slipped it upon | |
| | her finger. | |
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