Part XIX
|
| | Edna could not help but think that it was very foolish, very | |
| | childish, to have stamped upon her wedding ring and smashed the | |
| | crystal vase upon the tiles. She was visited by no more outbursts, | |
| | moving her to such futile expedients. She began to do as she liked | |
| | and to feel as she liked. She completely abandoned her Tuesdays at | |
| | home, and did not return the visits of those who had called upon her. | |
| | She made no ineffectual efforts to conduct her household en | |
| | bonne menagere, going and coming as it suited her fancy, and, | |
| | so far as she was able, lending herself to any passing caprice. | |
|
|
| | Mr. Pontellier had been a rather courteous husband so long as | |
| | he met a certain tacit submissiveness in his wife. But her new and | |
| | unexpected line of conduct completely bewildered him. It shocked | |
| | him. Then her absolute disregard for her duties as a wife angered | |
| | him. When Mr. Pontellier became rude, Edna grew insolent. She had | |
| | resolved never to take another step backward. | |
|
|
| | "It seems to me the utmost folly for a woman at the head of a | |
| | household, and the mother of children, to spend in an atelier days | |
| | which would be better employed contriving for the comfort of her | |
| | family." | |
|
|
| | "I feel like painting," answered Edna. "Perhaps I shan't | |
| | always feel like it." | |
|
|
| | "Then in God's name paint! but don't let the family go to the | |
| | devil. There's Madame Ratignolle; because she keeps up her music, | |
| | she doesn't let everything else go to chaos. And she's more of a | |
| | musician than you are a painter." | |
|
|
| | "She isn't a musician, and I'm not a painter. It isn't on | |
| | account of painting that I let things go." | |
|
|
| | "On account of what, then?" | |
|
|
| | "Oh! I don't know. Let me alone; you bother me." | |
|
|
| | It sometimes entered Mr. Pontellier's mind to wonder if his | |
| | wife were not growing a little unbalanced mentally. He could see | |
| | plainly that she was not herself. That is, he could not see that | |
| | she was becoming herself and daily casting aside that fictitious | |
| | self which we assume like a garment with which to appear before the | |
| | world. | |
|
|
| | Her husband let her alone as she requested, and went away to | |
| | his office. Edna went up to her atelier—a bright room in the top | |
| | of the house. She was working with great energy and interest, | |
| | without accomplishing anything, however, which satisfied her even | |
| | in the smallest degree. For a time she had the whole household | |
| | enrolled in the service of art. The boys posed for her. They thought | |
| | it amusing at first, but the occupation soon lost its attractiveness | |
| | when they discovered that it was not a game arranged especially for | |
| | their entertainment. The quadroon sat for hours before Edna's | |
| | palette, patient as a savage, while the house-maid took charge of | |
| | the children, and the drawing-room went undusted. But the | |
| | housemaid, too, served her term as model when Edna perceived that the | |
| | young woman's back and shoulders were molded on classic lines, and | |
| | that her hair, loosened from its confining cap, became an | |
| | inspiration. While Edna worked she sometimes sang low the little | |
| | air, "Ah! si tu savais!" | |
|
|
| | It moved her with recollections. She could hear again the | |
| | ripple of the water, the flapping sail. She could see the glint of | |
| | the moon upon the bay, and could feel the soft, gusty beating of | |
| | the hot south wind. A subtle current of desire passed through her | |
| | body, weakening her hold upon the brushes and making her eyes burn. | |
|
|
| | There were days when she was very happy without knowing why. | |
| | She was happy to be alive and breathing, when her whole being | |
| | seemed to be one with the sunlight, the color, the odors, the | |
| | luxuriant warmth of some perfect Southern day. She liked then to | |
| | wander alone into strange and unfamiliar places. She discovered | |
| | many a sunny, sleepy corner, fashioned to dream in. And she found | |
| | it good to dream and to be alone and unmolested. | |
|
|
| | There were days when she was unhappy, she did not know | |
| | why,—when it did not seem worth while to be glad or sorry, to be alive | |
| | or dead; when life appeared to her like a grotesque pandemonium and | |
| | humanity like worms struggling blindly toward inevitable | |
| | annihilation. She could not work on such a day, nor weave fancies | |
| | to stir her pulses and warm her blood. | |
|
|
|