Part XXVI
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| | Alcee Arobin wrote Edna an elaborate note of apology, | |
| | palpitant with sincerity. It embarrassed her; for in a cooler, | |
| | quieter moment it appeared to her, absurd that she should have | |
| | taken his action so seriously, so dramatically. She felt sure that | |
| | the significance of the whole occurrence had lain in her own | |
| | self-consciousness. If she ignored his note it would give undue | |
| | importance to a trivial affair. If she replied to it in a serious | |
| | spirit it would still leave in his mind the impression that she had | |
| | in a susceptible moment yielded to his influence. After all, it | |
| | was no great matter to have one's hand kissed. She was provoked at | |
| | his having written the apology. She answered in as light and | |
| | bantering a spirit as she fancied it deserved, and said she would | |
| | be glad to have him look in upon her at work whenever he felt the | |
| | inclination and his business gave him the opportunity. | |
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|
| | He responded at once by presenting himself at her home with | |
| | all his disarming naivete. And then there was scarcely a day which | |
| | followed that she did not see him or was not reminded of him. He | |
| | was prolific in pretexts. His attitude became one of good-humored | |
| | subservience and tacit adoration. He was ready at all times to | |
| | submit to her moods, which were as often kind as they were cold. | |
| | She grew accustomed to him. They became intimate and friendly by | |
| | imperceptible degrees, and then by leaps. He sometimes talked in | |
| | a way that astonished her at first and brought the crimson into her | |
| | face; in a way that pleased her at last, appealing to the animalism | |
| | that stirred impatiently within her. | |
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|
| | There was nothing which so quieted the turmoil of Edna's | |
| | senses as a visit to Mademoiselle Reisz. It was then, | |
| | in the presence of that personality which was offensive to her, | |
| | that the woman, by her divine art, seemed to reach Edna's spirit | |
| | and set it free. | |
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|
| | It was misty, with heavy, lowering atmosphere, one afternoon, | |
| | when Edna climbed the stairs to the pianist's apartments under the | |
| | roof. Her clothes were dripping with moisture. She felt chilled | |
| | and pinched as she entered the room. Mademoiselle was poking at a | |
| | rusty stove that smoked a little and warmed the room indifferently. | |
| | She was endeavoring to heat a pot of chocolate on the stove. The | |
| | room looked cheerless and dingy to Edna as she entered. A bust of | |
| | Beethoven, covered with a hood of dust, scowled at her from the | |
| | mantelpiece. | |
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|
| | "Ah! here comes the sunlight!" exclaimed Mademoiselle, rising | |
| | from her knees before the stove. "Now it will be warm and bright | |
| | enough; I can let the fire alone." | |
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|
| | She closed the stove door with a bang, and approaching, | |
| | assisted in removing Edna's dripping mackintosh. | |
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|
| | "You are cold; you look miserable. The chocolate will soon be hot. | |
| | But would you rather have a taste of brandy? I have scarcely | |
| | touched the bottle which you brought me for my cold." A piece of | |
| | red flannel was wrapped around Mademoiselle's throat; a stiff neck | |
| | compelled her to hold her head on one side. | |
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|
| | "I will take some brandy," said Edna, shivering as she removed | |
| | her gloves and overshoes. She drank the liquor from the glass as | |
| | a man would have done. Then flinging herself upon the | |
| | uncomfortable sofa she said, "Mademoiselle, I am going to move | |
| | away from my house on Esplanade Street." | |
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|
| | "Ah!" ejaculated the musician, neither surprised nor especially interested. | |
| | Nothing ever seemed to astonish her very much. She was endeavoring to adjust | |
| | the bunch of violets which had become loose from its fastening in her hair. | |
| | Edna drew her down upon the sofa, and taking a pin from her own hair, | |
| | secured the shabby artificial flowers in their accustomed place. | |
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|
| | "Passably. Where are you going? to New York? to Iberville? | |
| | to your father in Mississippi? where?" | |
|
|
| | "Just two steps away," laughed Edna, "in a little four-room | |
| | house around the corner. It looks so cozy, so inviting and | |
| | restful, whenever I pass by; and it's for rent. I'm tired looking | |
| | after that big house. It never seemed like mine, anyway—like | |
| | home. It's too much trouble. I have to keep too many servants. | |
| | I am tired bothering with them." | |
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|
| | "That is not your true reason, ma belle. There is no use | |
| | in telling me lies. I don't know your reason, but you have not | |
| | told me the truth." Edna did not protest or endeavor to justify | |
| | herself. | |
|
|
| | "The house, the money that provides for it, are not mine. | |
| | Isn't that enough reason?" | |
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|
| | "They are your husband's," returned Mademoiselle, with a shrug | |
| | and a malicious elevation of the eyebrows. | |
|
|
| | "Oh! I see there is no deceiving you. Then let me tell you: | |
| | It is a caprice. I have a little money of my own from my mother's | |
| | estate, which my father sends me by driblets. I won a large sum | |
| | this winter on the races, and I am beginning to sell my sketches. | |
| | Laidpore is more and more pleased with my work; he says it grows in | |
| | force and individuality. I cannot judge of that myself, but I feel | |
| | that I have gained in ease and confidence. However, as I said, I | |
| | have sold a good many through Laidpore. I can live in the tiny | |
| | house for little or nothing, with one servant. Old Celestine, who | |
| | works occasionally for me, says she will come stay with me and do | |
| | my work. I know I shall like it, like the feeling of freedom and | |
| | independence." | |
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|
| | "What does your husband say?" | |
|
|
| | "I have not told him yet. I only thought of it this morning. | |
| | He will think I am demented, no doubt. Perhaps you think so." | |
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|
| | Mademoiselle shook her head slowly. "Your reason is not yet | |
| | clear to me," she said. | |
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| | Neither was it quite clear to Edna herself; but it unfolded | |
| | itself as she sat for a while in silence. Instinct had prompted | |
| | her to put away her husband's bounty in casting off her allegiance. | |
| | She did not know how it would be when he returned. There would | |
| | have to be an understanding, an explanation. Conditions would | |
| | some way adjust themselves, she felt; but whatever came, | |
| | she had resolved never again to belong to another than herself. | |
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|
| | "I shall give a grand dinner before I leave the old house!" | |
| | Edna exclaimed. "You will have to come to it, Mademoiselle. | |
| | I will give you everything that you like to eat and to drink. | |
| | We shall sing and laugh and be merry for once." And she uttered | |
| | a sigh that came from the very depths of her being. | |
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|
| | If Mademoiselle happened to have received a letter from Robert | |
| | during the interval of Edna's visits, she would give her the letter | |
| | unsolicited. And she would seat herself at the piano and play as | |
| | her humor prompted her while the young woman read the letter. | |
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|
| | The little stove was roaring; it was red-hot, and the | |
| | chocolate in the tin sizzled and sputtered. Edna went forward and | |
| | opened the stove door, and Mademoiselle rising, took a letter from | |
| | under the bust of Beethoven and handed it to Edna. | |
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|
| | "Another! so soon!" she exclaimed, her eyes filled with | |
| | delight. "Tell me, Mademoiselle, does he know that I see his | |
| | letters?" | |
|
|
| | "Never in the world! He would be angry and would never write | |
| | to me again if he thought so. Does he write to you? Never a line. | |
| | Does he send you a message? Never a word. It is because he loves | |
| | you, poor fool, and is trying to forget you, since you are not free | |
| | to listen to him or to belong to him." | |
|
|
| | "Why do you show me his letters, then?" | |
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|
| | "Haven't you begged for them? Can I refuse you anything? Oh! | |
| | you cannot deceive me," and Mademoiselle approached her beloved | |
| | instrument and began to play. Edna did not at once read the | |
| | letter. She sat holding it in her hand, while the music penetrated | |
| | her whole being like an effulgence, warming and brightening the | |
| | dark places of her soul. It prepared her for joy and exultation. | |
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|
| | "Oh!" she exclaimed, letting the letter fall to the floor. | |
| | "Why did you not tell me?" She went and grasped Mademoiselle's hands | |
| | up from the keys. "Oh! unkind! malicious! Why did you not tell me?" | |
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|
| | "That he was coming back? No great news, ma foi. I wonder | |
| | he did not come long ago." | |
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|
| | "But when, when?" cried Edna, impatiently. "He does not say when." | |
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|
| | "He says `very soon.' You know as much about it as I do; it is | |
| | all in the letter." | |
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|
| | "But why? Why is he coming? Oh, if I thought—" and she | |
| | snatched the letter from the floor and turned the pages this way | |
| | and that way, looking for the reason, which was left untold. | |
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|
| | "If I were young and in love with a man," said Mademoiselle, | |
| | turning on the stool and pressing her wiry hands between her knees | |
| | as she looked down at Edna, who sat on the floor holding the | |
| | letter, "it seems to me he would have to be some grand esprit; | |
| | a man with lofty aims and ability to reach them; one who stood high | |
| | enough to attract the notice of his fellow-men. It seems to me if | |
| | I were young and in love I should never deem a man of ordinary | |
| | caliber worthy of my devotion." | |
|
|
| | "Now it is you who are telling lies and seeking to deceive me, | |
| | Mademoiselle; or else you have never been in love, and know nothing | |
| | about it. Why," went on Edna, clasping her knees and looking up | |
| | into Mademoiselle's twisted face, "do you suppose a woman knows why | |
| | she loves? Does she select? Does she say to herself: `Go to! Here | |
| | is a distinguished statesman with presidential possibilities; I | |
| | shall proceed to fall in love with him.' Or, `I shall set my heart | |
| | upon this musician, whose fame is on every tongue?' Or, `This | |
| | financier, who controls the world's money markets?' | |
|
|
| | "You are purposely misunderstanding me, ma reine. Are you | |
| | in love with Robert?" | |
|
|
| | "Yes," said Edna. It was the first time she had admitted it, | |
| | and a glow overspread her face, blotching it with red spots. | |
|
|
| | "Why?" asked her companion. "Why do you love him when you | |
| | ought not to?" | |
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|
| | Edna, with a motion or two, dragged herself on her knees | |
| | before Mademoiselle Reisz, who took the glowing face between her | |
| | two hands. | |
|
|
| | "Why? Because his hair is brown and grows away from his | |
| | temples; because he opens and shuts his eyes, and his nose is a | |
| | little out of drawing; because he has two lips and a square chin, | |
| | and a little finger which he can't straighten from having played | |
| | baseball too energetically in his youth. Because—" | |
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| | "Because you do, in short," laughed Mademoiselle. "What will | |
| | you do when he comes back?" she asked. | |
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|
| | "Do? Nothing, except feel glad and happy to be alive." | |
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| | She was already glad and happy to be alive at the mere thought | |
| | of his return. The murky, lowering sky, which had depressed her a | |
| | few hours before, seemed bracing and invigorating as she splashed | |
| | through the streets on her way home. | |
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|
| | She stopped at a confectioner's and ordered a huge box of | |
| | bonbons for the children in Iberville. She slipped a card in the | |
| | box, on which she scribbled a tender message and sent an abundance | |
| | of kisses. | |
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| | Before dinner in the evening Edna wrote a charming letter to | |
| | her husband, telling him of her intention to move for a while into | |
| | the little house around the block, and to give a farewell dinner | |
| | before leaving, regretting that he was not there to share it, to | |
| | help out with the menu and assist her in entertaining the guests. | |
| | Her letter was brilliant and brimming with cheerfulness. | |
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