Part XXXIII
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| | It happened sometimes when Edna went to see Mademoiselle Reisz | |
| | that the little musician was absent, giving a lesson or making some | |
| | small necessary household purchase. The key was always left in a | |
| | secret hiding-place in the entry, which Edna knew. If Mademoiselle | |
| | happened to be away, Edna would usually enter and wait for her | |
| | return. | |
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| | When she knocked at Mademoiselle Reisz's door one afternoon | |
| | there was no response; so unlocking the door, as usual, she entered | |
| | and found the apartment deserted, as she had expected. Her day had | |
| | been quite filled up, and it was for a rest, for a refuge, and to | |
| | talk about Robert, that she sought out her friend. | |
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| | She had worked at her canvas—a young Italian character | |
| | study—all the morning, completing the work without the model; but | |
| | there had been many interruptions, some incident to her modest | |
| | housekeeping, and others of a social nature. | |
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| | Madame Ratignolle had dragged herself over, avoiding the too | |
| | public thoroughfares, she said. She complained that Edna had | |
| | neglected her much of late. Besides, she was consumed with | |
| | curiosity to see the little house and the manner in which it was | |
| | conducted. She wanted to hear all about the dinner party; Monsieur | |
| | Ratignolle had left so early. What had happened after he left? | |
| | The champagne and grapes which Edna sent over were TOO delicious. | |
| | She had so little appetite; they had refreshed and toned her stomach. | |
| | Where on earth was she going to put Mr. Pontellier in that little house, | |
| | and the boys? And then she made Edna promise to go to her when her hour | |
| | of trial overtook her. | |
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| | "At any time—any time of the day or night, dear," Edna | |
| | assured her. | |
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|
| | Before leaving Madame Ratignolle said: | |
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| | "In some way you seem to me like a child, Edna. You seem to | |
| | act without a certain amount of reflection which is necessary in | |
| | this life. That is the reason I want to say you mustn't mind if I | |
| | advise you to be a little careful while you are living here alone. | |
| | Why don't you have some one come and stay with you? Wouldn't | |
| | Mademoiselle Reisz come?" | |
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|
| | "No; she wouldn't wish to come, and I shouldn't want her | |
| | always with me." | |
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|
| | "Well, the reason—you know how evil-minded the world is—some | |
| | one was talking of Alcee Arobin visiting you. Of course, it | |
| | wouldn't matter if Mr. Arobin had not such a dreadful reputation. | |
| | Monsieur Ratignolle was telling me that his attentions alone are | |
| | considered enough to ruin a woman s name." | |
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|
| | "Does he boast of his successes?" asked Edna, indifferently, | |
| | squinting at her picture. | |
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|
| | "No, I think not. I believe he is a decent fellow as far as | |
| | that goes. But his character is so well known among the men. I | |
| | shan't be able to come back and see you; it was very, very | |
| | imprudent to-day." | |
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|
| | "Mind the step!" cried Edna. | |
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| | "Don't neglect me," entreated Madame Ratignolle; "and don't | |
| | mind what I said about Arobin, or having some one to stay with you. | |
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|
| | "Of course not," Edna laughed. "You may say anything you like | |
| | to me." They kissed each other good-by. Madame Ratignolle had not | |
| | far to go, and Edna stood on the porch a while watching her walk | |
| | down the street. | |
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|
| | Then in the afternoon Mrs. Merriman and Mrs. Highcamp had made | |
| | their "party call." Edna felt that they might have dispensed | |
| | with the formality. They had also come to invite her to play | |
| | vingt-et-un one evening at Mrs. Merriman's. She was asked to go early, | |
| | to dinner, and Mr. Merriman or Mr. Arobin would take her home. | |
| | Edna accepted in a half-hearted way. She sometimes felt very tired | |
| | of Mrs. Highcamp and Mrs. Merriman. | |
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| | Late in the afternoon she sought refuge with Mademoiselle | |
| | Reisz, and stayed there alone, waiting for her, feeling a kind of | |
| | repose invade her with the very atmosphere of the shabby, | |
| | unpretentious little room. | |
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|
| | Edna sat at the window, which looked out over the house-tops | |
| | and across the river. The window frame was filled with pots of | |
| | flowers, and she sat and picked the dry leaves from a rose | |
| | geranium. The day was warm, and the breeze which blew from the | |
| | river was very pleasant. She removed her hat and laid it on the | |
| | piano. She went on picking the leaves and digging around the | |
| | plants with her hat pin. Once she thought she heard Mademoiselle | |
| | Reisz approaching. But it was a young black girl, who came in, | |
| | bringing a small bundle of laundry, which she deposited in the | |
| | adjoining room, and went away. | |
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| | Edna seated herself at the piano, and softly picked out with | |
| | one hand the bars of a piece of music which lay open before her. | |
| | A half-hour went by. There was the occasional sound of people | |
| | going and coming in the lower hall. She was growing interested in | |
| | her occupation of picking out the aria, when there was a second rap | |
| | at the door. She vaguely wondered what these people did when they | |
| | found Mademoiselle's door locked. | |
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|
| | "Come in," she called, turning her face toward the door. And | |
| | this time it was Robert Lebrun who presented himself. She | |
| | attempted to rise; she could not have done so without betraying the | |
| | agitation which mastered her at sight of him, so she fell back upon | |
| | the stool, only exclaiming, "Why, Robert!" | |
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| | He came and clasped her hand, seemingly without knowing what | |
| | he was saying or doing. | |
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| | "Mrs. Pontellier! How do you happen—oh! how well you look! | |
| | Is Mademoiselle Reisz not here? I never expected to see you." | |
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| | "When did you come back?" asked Edna in an unsteady voice, | |
| | wiping her face with her handkerchief. She seemed ill at ease on | |
| | the piano stool, and he begged her to take the chair by the window. | |
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| | She did so, mechanically, while he seated himself on the stool. | |
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| | "I returned day before yesterday," he answered, while he | |
| | leaned his arm on the keys, bringing forth a crash of discordant | |
| | sound. | |
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| | "Day before yesterday!" she repeated, aloud; and went on | |
| | thinking to herself, "day before yesterday," in a sort of an | |
| | uncomprehending way. She had pictured him seeking her at the very | |
| | first hour, and he had lived under the same sky since day before | |
| | yesterday; while only by accident had he stumbled upon her. | |
| | Mademoiselle must have lied when she said, "Poor fool, he loves | |
| | you." | |
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|
| | "Day before yesterday," she repeated, breaking off a spray of | |
| | Mademoiselle's geranium; "then if you had not met me here to-day | |
| | you wouldn't—when—that is, didn't you mean to come and see me?" | |
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|
| | "Of course, I should have gone to see you. There have been so | |
| | many things—" he turned the leaves of Mademoiselle's music | |
| | nervously. "I started in at once yesterday with the old firm. | |
| | After all there is as much chance for me here as there was | |
| | there—that is, I might find it profitable some day. The Mexicans were | |
| | not very congenial." | |
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|
| | So he had come back because the Mexicans were not congenial; | |
| | because business was as profitable here as there; because of any | |
| | reason, and not because he cared to be near her. She remembered | |
| | the day she sat on the floor, turning the pages of his letter, | |
| | seeking the reason which was left untold. | |
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| | She had not noticed how he looked—only feeling his presence; | |
| | but she turned deliberately and observed him. After all, he had | |
| | been absent but a few months, and was not changed. His hair—the | |
| | color of hers—waved back from his temples in the same way as | |
| | before. His skin was not more burned than it had been at Grand Isle. | |
| | She found in his eyes, when he looked at her for one silent moment, | |
| | the same tender caress, with an added warmth and entreaty which had | |
| | not been there before the same glance which had penetrated to the | |
| | sleeping places of her soul and awakened them. | |
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| | A hundred times Edna had pictured Robert's return, and | |
| | imagined their first meeting. It was usually at her home, whither | |
| | he had sought her out at once. She always fancied him expressing | |
| | or betraying in some way his love for her. And here, the reality | |
| | was that they sat ten feet apart, she at the window, crushing | |
| | geranium leaves in her hand and smelling them, he twirling around | |
| | on the piano stool, saying: | |
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| | "I was very much surprised to hear of Mr. Pontellier's | |
| | absence; it's a wonder Mademoiselle Reisz did not tell me; and your | |
| | moving—mother told me yesterday. I should think you would have | |
| | gone to New York with him, or to Iberville with the children, | |
| | rather than be bothered here with housekeeping. And you are going | |
| | abroad, too, I hear. We shan't have you at Grand Isle next summer; | |
| | it won't seem—do you see much of Mademoiselle Reisz? She often | |
| | spoke of you in the few letters she wrote." | |
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|
| | "Do you remember that you promised to write to me when you | |
| | went away?" A flush overspread his whole face. | |
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|
| | "I couldn't believe that my letters would be of any interest | |
| | to you." | |
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| | "That is an excuse; it isn't the truth." Edna reached for her | |
| | hat on the piano. She adjusted it, sticking the hat pin through | |
| | the heavy coil of hair with some deliberation. | |
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| | "Are you not going to wait for Mademoiselle Reisz?" asked | |
| | Robert. | |
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|
| | "No; I have found when she is absent this long, she is liable | |
| | not to come back till late." She drew on her gloves, and Robert | |
| | picked up his hat. | |
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| | "Won't you wait for her?" asked Edna. | |
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| | "Not if you think she will not be back till late," adding, as | |
| | if suddenly aware of some discourtesy in his speech, "and I should | |
| | miss the pleasure of walking home with you." Edna locked the door | |
| | and put the key back in its hiding-place. | |
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| | They went together, picking their way across muddy streets and | |
| | sidewalks encumbered with the cheap display of small tradesmen. | |
| | Part of the distance they rode in the car, and after disembarking, | |
| | passed the Pontellier mansion, which looked broken and half torn | |
| | asunder. Robert had never known the house, and looked at it with | |
| | interest. | |
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| | "I never knew you in your home," he remarked. | |
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| | "Why?" She did not answer. They went on around the corner, | |
| | and it seemed as if her dreams were coming true after all, when he | |
| | followed her into the little house. | |
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| | "You must stay and dine with me, Robert. You see I am all | |
| | alone, and it is so long since I have seen you. There is so much | |
| | I want to ask you." | |
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| | She took off her hat and gloves. He stood irresolute, making | |
| | some excuse about his mother who expected him; he even muttered | |
| | something about an engagement. She struck a match and lit the lamp | |
| | on the table; it was growing dusk. When he saw her face in the | |
| | lamp-light, looking pained, with all the soft lines gone out of it, | |
| | he threw his hat aside and seated himself. | |
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| | "Oh! you know I want to stay if you will let me!" he | |
| | exclaimed. All the softness came back. She laughed, and went and | |
| | put her hand on his shoulder. | |
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| | "This is the first moment you have seemed like the old Robert. | |
| | I'll go tell Celestine." She hurried away to tell Celestine to set | |
| | an extra place. She even sent her off in search of some added | |
| | delicacy which she had not thought of for herself. And she | |
| | recommended great care in dripping the coffee and having the omelet | |
| | done to a proper turn. | |
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| | When she reentered, Robert was turning over magazines, | |
| | sketches, and things that lay upon the table in great disorder. He | |
| | picked up a photograph, and exclaimed: | |
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|
| | "Alcee Arobin! What on earth is his picture doing here?" | |
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| | "I tried to make a sketch of his head one day," answered Edna, | |
| | "and he thought the photograph might help me. It was at the other house. | |
| | I thought it had been left there. I must have packed it up with | |
| | my drawing materials." | |
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| | "I should think you would give it back to him if you have finished with it." | |
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| | "Oh! I have a great many such photographs. I never think of returning them. | |
| | They don't amount to anything." Robert kept on looking at the picture. | |
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| | "It seems to me—do you think his head worth drawing? | |
| | Is he a friend of Mr. Pontellier's? You never said you knew him." | |
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|
| | "He isn't a friend of Mr. Pontellier's; he's a friend of mine. | |
| | I always knew him—that is, it is only of late that I know him | |
| | pretty well. But I'd rather talk about you, and know what you have | |
| | been seeing and doing and feeling out there in Mexico." Robert | |
| | threw aside the picture. | |
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|
| | "I've been seeing the waves and the white beach of Grand Isle; | |
| | the quiet, grassy street of the Cheniere; the old fort at | |
| | Grande Terre. I've been working like a machine, and feeling like | |
| | a lost soul. There was nothing interesting." | |
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| | She leaned her head upon her hand to shade her eyes | |
| | from the light. | |
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|
| | "And what have you been seeing and doing and feeling | |
| | all these days?" he asked. | |
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|
| | "I've been seeing the waves and the white beach of Grand Isle; | |
| | the quiet, grassy street of the Cheniere Caminada; the old | |
| | sunny fort at Grande Terre. I've been working with a little more | |
| | comprehension than a machine, and still feeling like a lost soul. | |
| | There was nothing interesting." | |
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| | "Mrs. Pontellier, you are cruel," he said, with feeling, | |
| | closing his eyes and resting his head back in his chair. They | |
| | remained in silence till old Celestine announced dinner. | |
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