Part XXXVIII
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| | Edna still felt dazed when she got outside in the open air. | |
| | The Doctor's coupe had returned for him and stood before the | |
| | porte cochere. She did not wish to enter the coupe, and told | |
| | Doctor Mandelet she would walk; she was not afraid, and would go | |
| | alone. He directed his carriage to meet him at Mrs. Pontellier's, | |
| | and he started to walk home with her. | |
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| | Up—away up, over the narrow street between the tall houses, | |
| | the stars were blazing. The air was mild and caressing, but cool | |
| | with the breath of spring and the night. They walked slowly, the | |
| | Doctor with a heavy, measured tread and his hands behind him; Edna, | |
| | in an absent-minded way, as she had walked one night at Grand Isle, | |
| | as if her thoughts had gone ahead of her and she was striving to | |
| | overtake them. | |
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| | "You shouldn't have been there, Mrs. Pontellier," he said. | |
| | "That was no place for you. Adele is full of whims at such times. | |
| | There were a dozen women she might have had with her, | |
| | unimpressionable women. I felt that it was cruel, cruel. You | |
| | shouldn't have gone." | |
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| | "Oh, well!" she answered, indifferently. "I don't know that | |
| | it matters after all. One has to think of the children some time | |
| | or other; the sooner the better." | |
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| | "When is Leonce coming back?" | |
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| | "Quite soon. Some time in March." | |
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| | "And you are going abroad?" | |
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| | "Perhaps—no, I am not going. I'm not going to be forced into | |
| | doing things. I don't want to go abroad. I want to be let alone. | |
| | Nobody has any right—except children, perhaps—and even then, it | |
| | seems to me—or it did seem—" She felt that her speech was voicing | |
| | the incoherency of her thoughts, and stopped abruptly. | |
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| | "The trouble is," sighed the Doctor, grasping her meaning | |
| | intuitively, "that youth is given up to illusions. It seems to be | |
| | a provision of Nature; a decoy to secure mothers for the race. And | |
| | Nature takes no account of moral consequences, of arbitrary | |
| | conditions which we create, and which we feel obliged to maintain | |
| | at any cost." | |
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| | "Yes," she said. "The years that are gone seem like | |
| | dreams—if one might go on sleeping and dreaming—but to wake up and | |
| | find—oh! well! perhaps it is better to wake up after all, even to | |
| | suffer, rather than to remain a dupe to illusions all one's life." | |
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| | "It seems to me, my dear child," said the Doctor at parting, | |
| | holding her hand, "you seem to me to be in trouble. I am not going | |
| | to ask for your confidence. I will only say that if ever you feel | |
| | moved to give it to me, perhaps I might help you. I know I would | |
| | understand, And I tell you there are not many who would—not many, | |
| | my dear." | |
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| | "Some way I don't feel moved to speak of things that trouble | |
| | me. Don't think I am ungrateful or that I don't appreciate your | |
| | sympathy. There are periods of despondency and suffering which | |
| | take possession of me. But I don't want anything but my own way. | |
| | That is wanting a good deal, of course, when you have to trample | |
| | upon the lives, the hearts, the prejudices of others—but no | |
| | matter-still, I shouldn't want to trample upon the little lives. | |
| | Oh! I don't know what I'm saying, Doctor. Good night. Don't blame | |
| | me for anything." | |
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| | "Yes, I will blame you if you don't come and see me soon. | |
| | We will talk of things you never have dreamt of talking | |
| | about before. It will do us both good. I don't want you | |
| | to blame yourself, whatever comes. Good night, my child." | |
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| | She let herself in at the gate, but instead of entering she | |
| | sat upon the step of the porch. The night was quiet and soothing. | |
| | All the tearing emotion of the last few hours seemed to fall away | |
| | from her like a somber, uncomfortable garment, which she had but to | |
| | loosen to be rid of. She went back to that hour before Adele had | |
| | sent for her; and her senses kindled afresh in thinking of Robert's | |
| | words, the pressure of his arms, and the feeling of his lips upon | |
| | her own. She could picture at that moment no greater bliss on | |
| | earth than possession of the beloved one. His expression of love | |
| | had already given him to her in part. When she thought that he was | |
| | there at hand, waiting for her, she grew numb with the intoxication | |
| | of expectancy. It was so late; he would be asleep perhaps. She | |
| | would awaken him with a kiss. She hoped he would be asleep that | |
| | she might arouse him with her caresses. | |
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| | Still, she remembered Adele's voice whispering, "Think of the | |
| | children; think of them." She meant to think of them; that | |
| | determination had driven into her soul like a death wound—but not | |
| | to-night. To-morrow would be time to think of everything. | |
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| | Robert was not waiting for her in the little parlor. He was | |
| | nowhere at hand. The house was empty. But he had scrawled on a | |
| | piece of paper that lay in the lamplight: | |
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| | "I love you. Good-by—because I love you." | |
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| | Edna grew faint when she read the words. She went and sat on | |
| | the sofa. Then she stretched herself out there, never uttering a | |
| | sound. She did not sleep. She did not go to bed. The lamp | |
| | sputtered and went out. She was still awake in the morning, when | |
| | Celestine unlocked the kitchen door and came in to light the fire. | |
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