READ STUDY GUIDE: Act I, scenes i–iii |
|
Act I, Scene ii
| The same. Christian, Ligniere, then Ragueneau and Le Bret. |
| CUIGY: |
| BRISSAILLE (laughing): |
| LIGNIERE (aside to Christian): |
| (Christian nods in assent): |
| (Bows.) |
| THE AUDIENCE (applauding as the first luster is lighted and drawn up): |
| CUIGY (to Brissaille, looking at Christian): |
| FIRST MARQUIS (who has overheard): |
| LIGNIERE (introducing them to Christian): |
| CHRISTIAN (bowing): |
| FIRST MARQUIS (to second): |
| LIGNIERE (to Cuigy): |
| CHRISTIAN: |
| the Cadets. |
| FIRST MARQUIS (watching the people who are coming into the boxes): |
| THE BUFFET-GIRL: |
| THE VIOLINISTS (tuning up): |
| CUIGY (to Christian, pointing to the hall, which is filling fast): |
| CHRISTIAN: |
| FIRST MARQUIS: |
| (They recognize and name the different elegantly dressed ladies who enter the |
| boxes, bowing low to them. The ladies send smiles in answer.) |
| SECOND MARQUIS: |
| CUIGY: |
| FIRST MARQUIS: |
| BRISSAILLE: |
| SECOND MARQUIS: |
| LIGNIERE: |
| THE YOUNG MAN (to his father): |
| THE BURGHER: |
| and Cureau de la Chambre, Porcheres, Colomby, Bourzeys, |
| Bourdon, Arbaud. . .all names that will live! 'Tis fine! |
| FIRST MARQUIS: |
| Felixerie. . . |
| SECOND MARQUIS: |
| FIRST MARQUIS: |
| LIGNIERE (drawing Christian aside): |
| betake me again to my pet vice. |
| CHRISTIAN (persuasively): |
| better than any who the lady is for whom I die of love. Stay yet awhile. |
| THE FIRST VIOLIN (striking his bow on the desk): |
| (He raises his bow.) |
| THE BUFFET-GIRL: |
| (The violins begin to play.) |
| CHRISTIAN: |
| I, who am so poor of wit, how dare I speak to her—how address her? |
| This language that they speak to-day—ay, and write—confounds me; |
| I am but an honest soldier, and timid withal. She has ever her place, |
| there, on the right—the empty box, see you! |
| LIGNIERE (making as if to go): |
| CHRISTIAN (detaining him): |
| LIGNIERE: |
| THE BUFFET-GIRL (passing before him with a tray): |
| LIGNIERE: |
| THE BUFFET-GIRL: |
| LIGNIERE: |
| THE BUFFET-GIRL: |
| LIGNIERE: |
| (To Christian): |
| (He sits by the buffet; the girl pours some out for him.) |
| CRIES (from all the audience, at the entrance of a plump little man, joyously |
| excited): |
| LIGNIERE (to Christian): |
| RAGUENEAU (dressed in the Sunday clothes of a pastry-cook, going up quickly to |
| Ligniere): |
| LIGNIERE (introducing him to Christian): |
| RAGUENEAU (overcome): |
| LIGNIERE: |
| RAGUENEAU: |
| LIGNIERE: |
| RAGUENEAU: |
| LIGNIERE: |
| —Mad after poetry! |
| RAGUENEAU: |
| LIGNIERE: |
| RAGUENEAU: |
| LIGNIERE: |
| —And for a triolet, now, did you not give in exchange. . . |
| RAGUENEAU: |
| LIGNIERE (severely): |
| RAGUENEAU: |
| LIGNIERE: |
| RAGUENEAU: |
| (He looks around on all sides): |
| LIGNIERE: |
| RAGUENEAU: |
| LIGNIERE: |
| but what matter is that to Cyrano? |
| RAGUENEAU: |
| forbid him strictly to show his face on the stage for one whole month. |
| LIGNIERE (drinking his fourth glass): |
| RAGUENEAU: |
| CUIGY: |
| RAGUENEAU: |
| FIRST MARQUIS: |
| CUIGY: |
| SECOND MARQUIS: |
| CUIGY: |
| (Pointing to a gentleman who is going up and down the hall as if searching for |
| some one): |
| (He calls him): |
| (Le Bret comes towards them): |
| LE BRET: |
| CUIGY: |
| LE BRET (tenderly): |
| RAGUENEAU: |
| CUIGY: |
| BRISSAILLE: |
| LE BRET: |
| LIGNIERE: |
| RAGENEAU: |
| portray him! Methinks, whimsical, wild, comical as he is, only Jacques |
| Callot, now dead and gone, had succeeded better, and had made of him the |
| maddest fighter of all his visored crew—with his triple-plumed beaver and |
| six-pointed doublet—the sword-point sticking up 'neath his mantle like an |
| insolent cocktail! He's prouder than all the fierce Artabans of whom Gascony |
| has ever been and will ever be the prolific Alma Mater! Above his Toby ruff |
| he carries a nose!—ah, good my lords, what a nose is his! When one sees it |
| one is fain to cry aloud, 'Nay! 'tis too much! He plays a joke on us!' Then |
| one laughs, says 'He will anon take it off.' But no!—Monsieur de Bergerac |
| always keeps it on. |
| LE BRET (throwing back his head): |
| RAGUENEAU (proudly): |
| FIRST MARQUIS (shrugging his shoulders): |
| RAGUENEAU: |
| THE MARQUIS (laughing): |
| (Murmurs of admiration in hall. Roxane has just appeared in her box. She |
| seats herself in front, the duenna at the back. Christian, who is paying the |
| buffet-girl, does not see her entrance.) |
| SECOND MARQUIS (with little cries of joy): |
| FIRST MARQUIS: |
| SECOND MARQUIS: |
| bad chill at the heart! |
| CHRISTIAN (raising his head, sees Roxane, and catches Ligniere by the arm): |
| LIGNIERE: |
| CHRISTIAN: |
| LIGNIERE (tasting his rivesalte in sips): |
| CHRISTIAN: |
| LIGNIERE: |
| (At this moment an elegant nobleman, with blue ribbon across his breast, |
| enters the box, and talks with Roxane, standing.) |
| CHRISTIAN (starting): |
| LIGNIERE (who is becoming tipsy, winking at him): |
| Armand de Richelieu. Would fain marry Roxane to a certain sorry fellow, one |
| Monsieur de Valvert, a viscount—and—accommodating! She will none of that |
| bargain; but De Guiche is powerful, and can persecute the daughter of a plain |
| untitled gentleman. More by token, I myself have exposed this cunning plan of |
| his to the world, in a song which. . .Ho! he must rage at me! The end hit |
| home. . .Listen! |
| (He gets up staggering, and raises his glass, ready to sing.) |
| CHRISTIAN: |
| LIGNIERE: |
| CHRISTIAN: |
| LIGNIERE: |
| (showing him Roxane by a look): |
| CHRISTIAN: |
| (He stands looking at her. The group of pickpockets seeing him thus, head in |
| air and open-mouthed, draw near to him.) |
| LIGNIERE: |
| (He goes out, reeling.) |
| LE BRET (who has been all round the hall, coming back to Ragueneau reassured): |
| RAGUENEAU (incredulously): |
| LE BRET: |
| THE AUDIENCE: |
|
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