Act II
|
| | Garden at the Manor House. A flight of grey stone steps leads up | |
| | to the house. The garden, an old-fashioned one, full of roses. | |
| | Time of year, July. Basket chairs, and a table covered with books, | |
| | are set under a large yew-tree. | |
|
|
| |
[MISS PRISM discovered seated at the table. CECILY is at the backwatering flowers.]
| |
|
|
| | MISS PRISM.[Calling.]Cecily, Cecily! Surely such a utilitarian | |
| | occupation as the watering of flowers is rather Moulton's duty than | |
| | yours? Especially at a moment when intellectual pleasures await | |
| | you. Your German grammar is on the table. Pray open it at page | |
| | fifteen. We will repeat yesterday's lesson. | |
|
|
| | CECILY.[Coming over very slowly.]But I don't like German. It | |
| | isn't at all a becoming language. I know perfectly well that I | |
| | look quite plain after my German lesson. | |
|
|
| | MISS PRISM. Child, you know how anxious your guardian is that you | |
| | should improve yourself in every way. He laid particular stress on | |
| | your German, as he was leaving for town yesterday. Indeed, he | |
| | always lays stress on your German when he is leaving for town. | |
|
|
| | CECILY. Dear Uncle Jack is so very serious! Sometimes he is so | |
| | serious that I think he cannot be quite well | |
|
|
| | MISS PRISM.[Drawing herself up.]Your guardian enjoys the best | |
| | of health, and his gravity of demeanour is especially to be | |
| | commanded in one so comparatively young as he is. I know no one | |
| | who has a higher sense of duty and responsibility. | |
|
|
| | CECILY. I suppose that is why he often looks a little bored when | |
| | we three are together. | |
|
|
| | MISS PRISM. Cecily! I am surprised at you. Mr. Worthing has many | |
| | troubles in his life. Idle merriment and triviality would be out | |
| | of place in his conversation. You must remember his constant | |
| | anxiety about that unfortunate young man his brother. | |
|
|
| | CECILY. I wish Uncle Jack would allow that unfortunate young man, | |
| | his brother, to come down here sometimes. We might have a good | |
| | influence over him, Miss Prism. I am sure you certainly would. | |
| | You know German, and geology, and things of that kind influence a | |
| | man very much.[CECILY begins to write in her diary.] | |
|
|
| | MISS PRISM.[Shaking her head.]I do not think that even I could | |
| | produce any effect on a character that according to his own | |
| | brother's admission is irretrievably weak and vacillating. Indeed | |
| | I am not sure that I would desire to reclaim him. I am not in | |
| | favour of this modern mania for turning bad people into good people | |
| | at a moment's notice. As a man sows so let him reap. You must put | |
| | away your diary, Cecily. I really don't see why you should keep a | |
| | diary at all. | |
|
|
| | CECILY. I keep a diary in order to enter the wonderful secrets of | |
| | my life. If I didn't write them down, I should probably forget all | |
| | about them. | |
|
|
| | MISS PRISM. Memory, my dear Cecily, is the diary that we all carry | |
| | about with us. | |
|
|
| | CECILY. Yes, but it usually chronicles the things that have never | |
| | happened, and couldn't possibly have happened. I believe that | |
| | Memory is responsible for nearly all the three-volume novels that | |
| | Mudie sends us. | |
|
|
| | MISS PRISM. Do not speak slightingly of the three-volume novel, | |
| | Cecily. I wrote one myself in earlier days. | |
|
|
| | CECILY. Did you really, Miss Prism? How wonderfully clever you | |
| | are! I hope it did not end happily? I don't like novels that end | |
| | happily. They depress me so much. | |
|
|
| | MISS PRISM. The good ended happily, and the bad unhappily. That | |
| | is what Fiction means. | |
|
|
| | CECILY. I suppose so. But it seems very unfair. And was your | |
| | novel ever published? | |
|
|
| | MISS PRISM. Alas! no. The manuscript unfortunately was abandoned. | |
| |
[CECILY starts.]
I use the word in the sense of lost or mislaid.
| |
| | To your work, child, these speculations are profitless. | |
|
|
| | CECILY.[Smiling.]But I see dear Dr. Chasuble coming up through | |
| | the garden. | |
|
|
| | MISS PRISM.[Rising and advancing.]Dr. Chasuble! This is indeed | |
| | a pleasure. | |
|
|
| | CHASUBLE. And how are we this morning? Miss Prism, you are, I | |
| | trust, well? | |
|
|
| | CECILY. Miss Prism has just been complaining of a slight headache. | |
| | I think it would do her so much good to have a short stroll with | |
| | you in the Park, Dr. Chasuble. | |
|
|
| | MISS PRISM. Cecily, I have not mentioned anything about a | |
| | headache. | |
|
|
| | CECILY. No, dear Miss Prism, I know that, but I felt instinctively | |
| | that you had a headache. Indeed I was thinking about that, and not | |
| | about my German lesson, when the Rector came in. | |
|
|
| | CHASUBLE. I hope, Cecily, you are not inattentive. | |
|
|
| | CECILY. Oh, I am afraid I am. | |
|
|
| | CHASUBLE. That is strange. Were I fortunate enough to be Miss | |
| | Prism's pupil, I would hang upon her lips.[MISS PRISM glares.]I | |
| | spoke metaphorically. - My metaphor was drawn from bees. Ahem! | |
| | Mr. Worthing, I suppose, has not returned from town yet? | |
|
|
| | MISS PRISM. We do not expect him till Monday afternoon. | |
|
|
| | CHASUBLE. Ah yes, he usually likes to spend his Sunday in London. | |
| | He is not one of those whose sole aim is enjoyment, as, by all | |
| | accounts, that unfortunate young man his brother seems to be. But | |
| | I must not disturb Egeria and her pupil any longer. | |
|
|
| | MISS PRISM. Egeria? My name is Laetitia, Doctor. | |
|
|
| | CHASUBLE.[Bowing.]A classical allusion merely, drawn from the | |
| | Pagan authors. I shall see you both no doubt at Evensong? | |
|
|
| | MISS PRISM. I think, dear Doctor, I will have a stroll with you. | |
| | I find I have a headache after all, and a walk might do it good. | |
|
|
| | CHASUBLE. With pleasure, Miss Prism, with pleasure. We might go | |
| | as far as the schools and back. | |
|
|
| | MISS PRISM. That would be delightful. Cecily, you will read your | |
| | Political Economy in my absence. The chapter on the Fall of the | |
| | Rupee you may omit. It is somewhat too sensational. Even these | |
| | metallic problems have their melodramatic side. | |
|
|
| |
[Goes down the garden with DR. CHASUBLE.]
| |
|
|
| | CECILY.[Picks up books and throws them back on table.]Horrid | |
| | Political Economy! Horrid Geography! Horrid, horrid German! | |
|
|
| |
[Enter MERRIMAN with a card on a salver.]
| |
|
|
| | MERRIMAN. Mr. Ernest Worthing has just driven over from the | |
| | station. He has brought his luggage with him. | |
|
|
| | CECILY.[Takes the card and reads it.]'Mr. Ernest Worthing, B. | |
| | 4, The Albany, W.' Uncle Jack's brother! Did you tell him Mr. | |
| | Worthing was in town? | |
|
|
| | MERRIMAN. Yes, Miss. He seemed very much disappointed. I | |
| | mentioned that you and Miss Prism were in the garden. He said he | |
| | was anxious to speak to you privately for a moment. | |
|
|
| | CECILY. Ask Mr. Ernest Worthing to come here. I suppose you had | |
| | better talk to the housekeeper about a room for him. | |
|
|
| | CECILY. I have never met any really wicked person before. I feel | |
| | rather frightened. I am so afraid he will look just like every one | |
| | else. | |
|
|
| |
[Enter ALGERNON, very gay and debonnair.]
He does!
| |
|
|
| | ALGERNON.[Raising his hat.]You are my little cousin Cecily, I'm | |
| | sure. | |
|
|
| | CECILY. You are under some strange mistake. I am not little. In | |
| | fact, I believe I am more than usually tall for my age.[ALGERNONis rather taken aback.]But I am your cousin Cecily. You, I see | |
| | from your card, are Uncle Jack's brother, my cousin Ernest, my | |
| | wicked cousin Ernest. | |
|
|
| | ALGERNON. Oh! I am not really wicked at all, cousin Cecily. You | |
| | mustn't think that I am wicked. | |
|
|
| | CECILY. If you are not, then you have certainly been deceiving us | |
| | all in a very inexcusable manner. I hope you have not been leading | |
| | a double life, pretending to be wicked and being really good all | |
| | the time. That would be hypocrisy. | |
|
|
| | ALGERNON.[Looks at her in amazement.]Oh! Of course I have been | |
| | rather reckless. | |
|
|
| | CECILY. I am glad to hear it. | |
|
|
| | ALGERNON. In fact, now you mention the subject, I have been very | |
| | bad in my own small way. | |
|
|
| | CECILY. I don't think you should be so proud of that, though I am | |
| | sure it must have been very pleasant. | |
|
|
| | ALGERNON. It is much pleasanter being here with you. | |
|
|
| | CECILY. I can't understand how you are here at all. Uncle Jack | |
| | won't be back till Monday afternoon. | |
|
|
| | ALGERNON. That is a great disappointment. I am obliged to go up | |
| | by the first train on Monday morning. I have a business | |
| | appointment that I am anxious . . . to miss? | |
|
|
| | CECILY. Couldn't you miss it anywhere but in London? | |
|
|
| | ALGERNON. No: the appointment is in London. | |
|
|
| | CECILY. Well, I know, of course, how important it is not to keep a | |
| | business engagement, if one wants to retain any sense of the beauty | |
| | of life, but still I think you had better wait till Uncle Jack | |
| | arrives. I know he wants to speak to you about your emigrating. | |
|
|
| | CECILY. Your emigrating. He has gone up to buy your outfit. | |
|
|
| | ALGERNON. I certainly wouldn't let Jack buy my outfit. He has no | |
| | taste in neckties at all. | |
|
|
| | CECILY. I don't think you will require neckties. Uncle Jack is | |
| | sending you to Australia. | |
|
|
| | ALGERNON. Australia! I'd sooner die. | |
|
|
| | CECILY. Well, he said at dinner on Wednesday night, that you would | |
| | have to choose between this world, the next world, and Australia. | |
|
|
| | ALGERNON. Oh, well! The accounts I have received of Australia and | |
| | the next world, are not particularly encouraging. This world is | |
| | good enough for me, cousin Cecily. | |
|
|
| | CECILY. Yes, but are you good enough for it? | |
|
|
| | ALGERNON. I'm afraid I'm not that. That is why I want you to | |
| | reform me. You might make that your mission, if you don't mind, | |
| | cousin Cecily. | |
|
|
| | CECILY. I'm afraid I've no time, this afternoon. | |
|
|
| | ALGERNON. Well, would you mind my reforming myself this afternoon? | |
|
|
| | CECILY. It is rather Quixotic of you. But I think you should try. | |
|
|
| | ALGERNON. I will. I feel better already. | |
|
|
| | CECILY. You are looking a little worse. | |
|
|
| | ALGERNON. That is because I am hungry. | |
|
|
| | CECILY. How thoughtless of me. I should have remembered that when | |
| | one is going to lead an entirely new life, one requires regular and | |
| | wholesome meals. Won't you come in? | |
|
|
| | ALGERNON. Thank you. Might I have a buttonhole first? I never | |
| | have any appetite unless I have a buttonhole first. | |
|
|
| | CECILY. A Marechal Niel?[Picks up scissors.] | |
|
|
| | ALGERNON. No, I'd sooner have a pink rose. | |
|
|
| | CECILY. Why?[Cuts a flower.] | |
|
|
| | ALGERNON. Because you are like a pink rose, Cousin Cecily. | |
|
|
| | CECILY. I don't think it can be right for you to talk to me like | |
| | that. Miss Prism never says such things to me. | |
|
|
| | ALGERNON. Then Miss Prism is a short-sighted old lady.[CECILYputs the rose in his buttonhole.]You are the prettiest girl I | |
| | ever saw. | |
|
|
| | CECILY. Miss Prism says that all good looks are a snare. | |
|
|
| | ALGERNON. They are a snare that every sensible man would like to | |
| | be caught in. | |
|
|
| | CECILY. Oh, I don't think I would care to catch a sensible man. I | |
| | shouldn't know what to talk to him about. | |
|
|
| |
[They pass into the house. MISS PRISM and DR. CHASUBLE return.]
| |
|
|
| | MISS PRISM. You are too much alone, dear Dr. Chasuble. You should | |
| | get married. A misanthrope I can understand - a womanthrope, | |
| | never! | |
|
|
| | CHASUBLE.[With a scholar's shudder.]Believe me, I do not | |
| | deserve so neologistic a phrase. The precept as well as the | |
| | practice of the Primitive Church was distinctly against matrimony. | |
|
|
| | MISS PRISM.[Sententiously.]That is obviously the reason why the | |
| | Primitive Church has not lasted up to the present day. And you do | |
| | not seem to realise, dear Doctor, that by persistently remaining | |
| | single, a man converts himself into a permanent public temptation. | |
| | Men should be more careful; this very celibacy leads weaker vessels | |
| | astray. | |
|
|
| | CHASUBLE. But is a man not equally attractive when married? | |
|
|
| | MISS PRISM. No married man is ever attractive except to his wife. | |
|
|
| | CHASUBLE. And often, I've been told, not even to her. | |
|
|
| | MISS PRISM. That depends on the intellectual sympathies of the | |
| | woman. Maturity can always be depended on. Ripeness can be | |
| | trusted. Young women are green.[DR. CHASUBLE starts.]I spoke | |
| | horticulturally. My metaphor was drawn from fruits. But where is | |
| | Cecily? | |
|
|
| | CHASUBLE. Perhaps she followed us to the schools. | |
|
|
| |
[Enter JACK slowly from the back of the garden. He is dressed inthe deepest mourning, with crape hatband and black gloves.]
| |
|
|
| | MISS PRISM. Mr. Worthing! | |
|
|
| | MISS PRISM. This is indeed a surprise. We did not look for you | |
| | till Monday afternoon. | |
|
|
| | JACK.[Shakes MISS PRISM'S hand in a tragic manner.]I have | |
| | returned sooner than I expected. Dr. Chasuble, I hope you are | |
| | well? | |
|
|
| | CHASUBLE. Dear Mr. Worthing, I trust this garb of woe does not | |
| | betoken some terrible calamity? | |
|
|
| | MISS PRISM. More shameful debts and extravagance? | |
|
|
| | CHASUBLE. Still leading his life of pleasure? | |
|
|
| | JACK.[Shaking his head.]Dead! | |
|
|
| | CHASUBLE. Your brother Ernest dead? | |
|
|
| | MISS PRISM. What a lesson for him! I trust he will profit by it. | |
|
|
| | CHASUBLE. Mr. Worthing, I offer you my sincere condolence. You | |
| | have at least the consolation of knowing that you were always the | |
| | most generous and forgiving of brothers. | |
|
|
| | JACK. Poor Ernest! He had many faults, but it is a sad, sad blow. | |
|
|
| | CHASUBLE. Very sad indeed. Were you with him at the end? | |
|
|
| | JACK. No. He died abroad; in Paris, in fact. I had a telegram | |
| | last night from the manager of the Grand Hotel. | |
|
|
| | CHASUBLE. Was the cause of death mentioned? | |
|
|
| | JACK. A severe chill, it seems. | |
|
|
| | MISS PRISM. As a man sows, so shall he reap. | |
|
|
| | CHASUBLE.[Raising his hand.]Charity, dear Miss Prism, charity! | |
| | None of us are perfect. I myself am peculiarly susceptible to | |
| | draughts. Will the interment take place here? | |
|
|
| | JACK. No. He seems to have expressed a desire to be buried in | |
| | Paris. | |
|
|
| | CHASUBLE. In Paris![Shakes his head.]I fear that hardly points | |
| | to any very serious state of mind at the last. You would no doubt | |
| | wish me to make some slight allusion to this tragic domestic | |
| | affliction next Sunday.[JACK presses his hand convulsively.]My | |
| | sermon on the meaning of the manna in the wilderness can be adapted | |
| | to almost any occasion, joyful, or, as in the present case, | |
| | distressing.[All sigh.]I have preached it at harvest | |
| | celebrations, christenings, confirmations, on days of humiliation | |
| | and festal days. The last time I delivered it was in the | |
| | Cathedral, as a charity sermon on behalf of the Society for the | |
| | Prevention of Discontent among the Upper Orders. The Bishop, who | |
| | was present, was much struck by some of the analogies I drew. | |
|
|
| | JACK. Ah! that reminds me, you mentioned christenings I think, Dr. | |
| | Chasuble? I suppose you know how to christen all right?[DR.CHASUBLE looks astounded.]I mean, of course, you are continually | |
| | christening, aren't you? | |
|
|
| | MISS PRISM. It is, I regret to say, one of the Rector's most | |
| | constant duties in this parish. I have often spoken to the poorer | |
| | classes on the subject. But they don't seem to know what thrift | |
| | is. | |
|
|
| | CHASUBLE. But is there any particular infant in whom you are | |
| | interested, Mr. Worthing? Your brother was, I believe, unmarried, | |
| | was he not? | |
|
|
| | MISS PRISM.[Bitterly.]People who live entirely for pleasure | |
| | usually are. | |
|
|
| | JACK. But it is not for any child, dear Doctor. I am very fond of | |
| | children. No! the fact is, I would like to be christened myself, | |
| | this afternoon, if you have nothing better to do. | |
|
|
| | CHASUBLE. But surely, Mr. Worthing, you have been christened | |
| | already? | |
|
|
| | JACK. I don't remember anything about it. | |
|
|
| | CHASUBLE. But have you any grave doubts on the subject? | |
|
|
| | JACK. I certainly intend to have. Of course I don't know if the | |
| | thing would bother you in any way, or if you think I am a little | |
| | too old now. | |
|
|
| | CHASUBLE. Not at all. The sprinkling, and, indeed, the immersion | |
| | of adults is a perfectly canonical practice. | |
|
|
| | CHASUBLE. You need have no apprehensions. Sprinkling is all that | |
| | is necessary, or indeed I think advisable. Our weather is so | |
| | changeable. At what hour would you wish the ceremony performed? | |
|
|
| | JACK. Oh, I might trot round about five if that would suit you. | |
|
|
| | CHASUBLE. Perfectly, perfectly! In fact I have two similar | |
| | ceremonies to perform at that time. A case of twins that occurred | |
| | recently in one of the outlying cottages on your own estate. Poor | |
| | Jenkins the carter, a most hard-working man. | |
|
|
| | JACK. Oh! I don't see much fun in being christened along with | |
| | other babies. It would be childish. Would half-past five do? | |
|
|
| | CHASUBLE. Admirably! Admirably![Takes out watch.]And now, | |
| | dear Mr. Worthing, I will not intrude any longer into a house of | |
| | sorrow. I would merely beg you not to be too much bowed down by | |
| | grief. What seem to us bitter trials are often blessings in | |
| | disguise. | |
|
|
| | MISS PRISM. This seems to me a blessing of an extremely obvious | |
| | kind. | |
|
|
| |
[Enter CECILY from the house.]
| |
|
|
| | CECILY. Uncle Jack! Oh, I am pleased to see you back. But what | |
| | horrid clothes you have got on! Do go and change them. | |
|
|
| | CHASUBLE. My child! my child![CECILY goes towards JACK; hekisses her brow in a melancholy manner.] | |
|
|
| | CECILY. What is the matter, Uncle Jack? Do look happy! You look | |
| | as if you had toothache, and I have got such a surprise for you. | |
| | Who do you think is in the dining-room? Your brother! | |
|
|
| | CECILY. Your brother Ernest. He arrived about half an hour ago. | |
|
|
| | JACK. What nonsense! I haven't got a brother. | |
|
|
| | CECILY. Oh, don't say that. However badly he may have behaved to | |
| | you in the past he is still your brother. You couldn't be so | |
| | heartless as to disown him. I'll tell him to come out. And you | |
| | will shake hands with him, won't you, Uncle Jack?[Runs back intothe house.] | |
|
|
| | CHASUBLE. These are very joyful tidings. | |
|
|
| | MISS PRISM. After we had all been resigned to his loss, his sudden | |
| | return seems to me peculiarly distressing. | |
|
|
| | JACK. My brother is in the dining-room? I don't know what it all | |
| | means. I think it is perfectly absurd. | |
|
|
| |
[Enter ALGERNON and CECILY hand in hand. They come slowly up toJACK.]
| |
|
|
| | JACK. Good heavens![Motions ALGERNON away.] | |
|
|
| | ALGERNON. Brother John, I have come down from town to tell you | |
| | that I am very sorry for all the trouble I have given you, and that | |
| | I intend to lead a better life in the future.[JACK glares at himand does not take his hand.] | |
|
|
| | CECILY. Uncle Jack, you are not going to refuse your own brother's | |
| | hand? | |
|
|
| | JACK. Nothing will induce me to take his hand. I think his coming | |
| | down here disgraceful. He knows perfectly well why. | |
|
|
| | CECILY. Uncle Jack, do be nice. There is some good in every one. | |
| | Ernest has just been telling me about his poor invalid friend Mr. | |
| | Bunbury whom he goes to visit so often. And surely there must be | |
| | much good in one who is kind to an invalid, and leaves the | |
| | pleasures of London to sit by a bed of pain. | |
|
|
| | JACK. Oh! he has been talking about Bunbury, has he? | |
|
|
| | CECILY. Yes, he has told me all about poor Mr. Bunbury, and his | |
| | terrible state of health. | |
|
|
| | JACK. Bunbury! Well, I won't have him talk to you about Bunbury | |
| | or about anything else. It is enough to drive one perfectly | |
| | frantic. | |
|
|
| | ALGERNON. Of course I admit that the faults were all on my side. | |
| | But I must say that I think that Brother John's coldness to me is | |
| | peculiarly painful. I expected a more enthusiastic welcome, | |
| | especially considering it is the first time I have come here. | |
|
|
| | CECILY. Uncle Jack, if you don't shake hands with Ernest I will | |
| | never forgive you. | |
|
|
| | CECILY. Never, never, never! | |
|
|
| | JACK. Well, this is the last time I shall ever do it.[Shakeswith ALGERNON and glares.] | |
|
|
| | CHASUBLE. It's pleasant, is it not, to see so perfect a | |
| | reconciliation? I think we might leave the two brothers together. | |
|
|
| | MISS PRISM. Cecily, you will come with us. | |
|
|
| | CECILY. Certainly, Miss Prism. My little task of reconciliation | |
| | is over. | |
|
|
| | CHASUBLE. You have done a beautiful action to-day, dear child. | |
|
|
| | MISS PRISM. We must not be premature in our judgments. | |
|
|
| | CECILY. I feel very happy.[They all go off except JACK andALGERNON.] | |
|
|
| | JACK. You young scoundrel, Algy, you must get out of this place as | |
| | soon as possible. I don't allow any Bunburying here. | |
|
|
| | MERRIMAN. I have put Mr. Ernest's things in the room next to | |
| | yours, sir. I suppose that is all right? | |
|
|
| | MERRIMAN. Mr. Ernest's luggage, sir. I have unpacked it and put | |
| | it in the room next to your own. | |
|
|
| | MERRIMAN. Yes, sir. Three portmanteaus, a dressing-case, two hat- | |
| | boxes, and a large luncheon-basket. | |
|
|
| | ALGERNON. I am afraid I can't stay more than a week this time. | |
|
|
| | JACK. Merriman, order the dog-cart at once. Mr. Ernest has been | |
| | suddenly called back to town. | |
|
|
| | MERRIMAN. Yes, sir.[Goes back into the house.] | |
|
|
| | ALGERNON. What a fearful liar you are, Jack. I have not been | |
| | called back to town at all. | |
|
|
| | ALGERNON. I haven't heard any one call me. | |
|
|
| | JACK. Your duty as a gentleman calls you back. | |
|
|
| | ALGERNON. My duty as a gentleman has never interfered with my | |
| | pleasures in the smallest degree. | |
|
|
| | JACK. I can quite understand that. | |
|
|
| | ALGERNON. Well, Cecily is a darling. | |
|
|
| | JACK. You are not to talk of Miss Cardew like that. I don't like | |
| | it. | |
|
|
| | ALGERNON. Well, I don't like your clothes. You look perfectly | |
| | ridiculous in them. Why on earth don't you go up and change? It | |
| | is perfectly childish to be in deep mourning for a man who is | |
| | actually staying for a whole week with you in your house as a | |
| | guest. I call it grotesque. | |
|
|
| | JACK. You are certainly not staying with me for a whole week as a | |
| | guest or anything else. You have got to leave . . . by the four- | |
| | five train. | |
|
|
| | ALGERNON. I certainly won't leave you so long as you are in | |
| | mourning. It would be most unfriendly. If I were in mourning you | |
| | would stay with me, I suppose. I should think it very unkind if | |
| | you didn't. | |
|
|
| | JACK. Well, will you go if I change my clothes? | |
|
|
| | ALGERNON. Yes, if you are not too long. I never saw anybody take | |
| | so long to dress, and with such little result. | |
|
|
| | JACK. Well, at any rate, that is better than being always over- | |
| | dressed as you are. | |
|
|
| | ALGERNON. If I am occasionally a little over-dressed, I make up | |
| | for it by being always immensely over-educated. | |
|
|
| | JACK. Your vanity is ridiculous, your conduct an outrage, and your | |
| | presence in my garden utterly absurd. However, you have got to | |
| | catch the four-five, and I hope you will have a pleasant journey | |
| | back to town. This Bunburying, as you call it, has not been a | |
| | great success for you. | |
|
|
| | ALGERNON. I think it has been a great success. I'm in love with | |
| | Cecily, and that is everything. | |
|
|
| |
[Enter CECILY at the back of the garden. She picks up the can andbegins to water the flowers.]
But I must see her before I go, and
| |
| | make arrangements for another Bunbury. Ah, there she is. | |
|
|
| | CECILY. Oh, I merely came back to water the roses. I thought you | |
| | were with Uncle Jack. | |
|
|
| | ALGERNON. He's gone to order the dog-cart for me. | |
|
|
| | CECILY. Oh, is he going to take you for a nice drive? | |
|
|
| | ALGERNON. He's going to send me away. | |
|
|
| | CECILY. Then have we got to part? | |
|
|
| | ALGERNON. I am afraid so. It's a very painful parting. | |
|
|
| | CECILY. It is always painful to part from people whom one has | |
| | known for a very brief space of time. The absence of old friends | |
| | one can endure with equanimity. But even a momentary separation | |
| | from anyone to whom one has just been introduced is almost | |
| | unbearable. | |
|
|
| | MERRIMAN. The dog-cart is at the door, sir.[ALGERNON looksappealingly at CECILY.] | |
|
|
| | CECILY. It can wait, Merriman for . . . five minutes. | |
|
|
| | MERRIMAN. Yes, Miss.[Exit MERRIMAN.] | |
|
|
| | ALGERNON. I hope, Cecily, I shall not offend you if I state quite | |
| | frankly and openly that you seem to me to be in every way the | |
| | visible personification of absolute perfection. | |
|
|
| | CECILY. I think your frankness does you great credit, Ernest. If | |
| | you will allow me, I will copy your remarks into my diary.[Goesover to table and begins writing in diary.] | |
|
|
| | ALGERNON. Do you really keep a diary? I'd give anything to look | |
| | at it. May I? | |
|
|
| | CECILY. Oh no.[Puts her hand over it.]You see, it is simply a | |
| | very young girl's record of her own thoughts and impressions, and | |
| | consequently meant for publication. When it appears in volume form | |
| | I hope you will order a copy. But pray, Ernest, don't stop. I | |
| | delight in taking down from dictation. I have reached 'absolute | |
| | perfection'. You can go on. I am quite ready for more. | |
|
|
| | ALGERNON.[Somewhat taken aback.]Ahem! Ahem! | |
|
|
| | CECILY. Oh, don't cough, Ernest. When one is dictating one should | |
| | speak fluently and not cough. Besides, I don't know how to spell a | |
| | cough.[Writes as ALGERNON speaks.] | |
|
|
| | ALGERNON.[Speaking very rapidly.]Cecily, ever since I first | |
| | looked upon your wonderful and incomparable beauty, I have dared to | |
| | love you wildly, passionately, devotedly, hopelessly. | |
|
|
| | CECILY. I don't think that you should tell me that you love me | |
| | wildly, passionately, devotedly, hopelessly. Hopelessly doesn't | |
| | seem to make much sense, does it? | |
|
|
| | MERRIMAN. The dog-cart is waiting, sir. | |
|
|
| | ALGERNON. Tell it to come round next week, at the same hour. | |
|
|
| | MERRIMAN.[Looks at CECILY, who makes no sign.]Yes, sir. | |
|
|
| | CECILY. Uncle Jack would be very much annoyed if he knew you were | |
| | staying on till next week, at the same hour. | |
|
|
| | ALGERNON. Oh, I don't care about Jack. I don't care for anybody | |
| | in the whole world but you. I love you, Cecily. You will marry | |
| | me, won't you? | |
|
|
| | CECILY. You silly boy! Of course. Why, we have been engaged for | |
| | the last three months. | |
|
|
| | ALGERNON. For the last three months? | |
|
|
| | CECILY. Yes, it will be exactly three months on Thursday. | |
|
|
| | ALGERNON. But how did we become engaged? | |
|
|
| | CECILY. Well, ever since dear Uncle Jack first confessed to us | |
| | that he had a younger brother who was very wicked and bad, you of | |
| | course have formed the chief topic of conversation between myself | |
| | and Miss Prism. And of course a man who is much talked about is | |
| | always very attractive. One feels there must be something in him, | |
| | after all. I daresay it was foolish of me, but I fell in love with | |
| | you, Ernest. | |
|
|
| | ALGERNON. Darling! And when was the engagement actually settled? | |
|
|
| | CECILY. On the 14th of February last. Worn out by your entire | |
| | ignorance of my existence, I determined to end the matter one way | |
| | or the other, and after a long struggle with myself I accepted you | |
| | under this dear old tree here. The next day I bought this little | |
| | ring in your name, and this is the little bangle with the true | |
| | lover's knot I promised you always to wear. | |
|
|
| | ALGERNON. Did I give you this? It's very pretty, isn't it? | |
|
|
| | CECILY. Yes, you've wonderfully good taste, Ernest. It's the | |
| | excuse I've always given for your leading such a bad life. And | |
| | this is the box in which I keep all your dear letters.[Kneels attable, opens box, and produces letters tied up with blue ribbon.] | |
|
|
| | ALGERNON. My letters! But, my own sweet Cecily, I have never | |
| | written you any letters. | |
|
|
| | CECILY. You need hardly remind me of that, Ernest. I remember | |
| | only too well that I was forced to write your letters for you. I | |
| | wrote always three times a week, and sometimes oftener. | |
|
|
| | ALGERNON. Oh, do let me read them, Cecily? | |
|
|
| | CECILY. Oh, I couldn't possibly. They would make you far too | |
| | conceited.[Replaces box.]The three you wrote me after I had | |
| | broken of the engagement are so beautiful, and so badly spelled, | |
| | that even now I can hardly read them without crying a little. | |
|
|
| | ALGERNON. But was our engagement ever broken off? | |
|
|
| | CECILY. Of course it was. On the 22nd of last March. You can see | |
| | the entry if you like.[Shows diary.]'To-day I broke off my | |
| | engagement with Ernest. I feel it is better to do so. The weather | |
| | still continues charming.' | |
|
|
| | ALGERNON. But why on earth did you break it of? What had I done? | |
| | I had done nothing at all. Cecily, I am very much hurt indeed to | |
| | hear you broke it off. Particularly when the weather was so | |
| | charming. | |
|
|
| | CECILY. It would hardly have been a really serious engagement if | |
| | it hadn't been broken off at least once. But I forgave you before | |
| | the week was out. | |
|
|
| | ALGERNON.[Crossing to her, and kneeling.]What a perfect angel | |
| | you are, Cecily. | |
|
|
| | CECILY. You dear romantic boy.[He kisses her, she puts herfingers through his hair.]I hope your hair curls naturally, does | |
| | it? | |
|
|
| | ALGERNON. Yes, darling, with a little help from others. | |
|
|
| | ALGERNON. You'll never break of our engagement again, Cecily? | |
|
|
| | CECILY. I don't think I could break it off now that I have | |
| | actually met you. Besides, of course, there is the question of | |
| | your name. | |
|
|
| | ALGERNON. Yes, of course.[Nervously.] | |
|
|
| | CECILY. You must not laugh at me, darling, but it had always been | |
| | a girlish dream of mine to love some one whose name was Ernest. | |
| |
[ALGERNON rises, CECILY also.]
There is something in that name
| |
| | that seems to inspire absolute confidence. I pity any poor married | |
| | woman whose husband is not called Ernest. | |
|
|
| | ALGERNON. But, my dear child, do you mean to say you could not | |
| | love me if I had some other name? | |
|
|
| | ALGERNON. Oh, any name you like - Algernon - for instance . . . | |
|
|
| | CECILY. But I don't like the name of Algernon. | |
|
|
| | ALGERNON. Well, my own dear, sweet, loving little darling, I | |
| | really can't see why you should object to the name of Algernon. It | |
| | is not at all a bad name. In fact, it is rather an aristocratic | |
| | name. Half of the chaps who get into the Bankruptcy Court are | |
| | called Algernon. But seriously, Cecily . . .[Moving to her]. . . | |
| | if my name was Algy, couldn't you love me? | |
|
|
| | CECILY.[Rising.]I might respect you, Ernest, I might admire | |
| | your character, but I fear that I should not be able to give you my | |
| | undivided attention. | |
|
|
| | ALGERNON. Ahem! Cecily![Picking up hat.]Your Rector here is, | |
| | I suppose, thoroughly experienced in the practice of all the rites | |
| | and ceremonials of the Church? | |
|
|
| | CECILY. Oh, yes. Dr. Chasuble is a most learned man. He has | |
| | never written a single book, so you can imagine how much he knows. | |
|
|
| | ALGERNON. I must see him at once on a most important christening - | |
| | I mean on most important business. | |
|
|
| | ALGERNON. I shan't be away more than half an hour. | |
|
|
| | CECILY. Considering that we have been engaged since February the | |
| | 14th, and that I only met you to-day for the first time, I think it | |
| | is rather hard that you should leave me for so long a period as | |
| | half an hour. Couldn't you make it twenty minutes? | |
|
|
| | ALGERNON. I'll be back in no time. | |
|
|
| |
[Kisses her and rushes down the garden.]
| |
|
|
| | CECILY. What an impetuous boy he is! I like his hair so much. I | |
| | must enter his proposal in my diary. | |
|
|
| | MERRIMAN. A Miss Fairfax has just called to see Mr. Worthing. On | |
| | very important business, Miss Fairfax states. | |
|
|
| | CECILY. Isn't Mr. Worthing in his library? | |
|
|
| | MERRIMAN. Mr. Worthing went over in the direction of the Rectory | |
| | some time ago. | |
|
|
| | CECILY. Pray ask the lady to come out here; Mr. Worthing is sure | |
| | to be back soon. And you can bring tea. | |
|
|
| | MERRIMAN. Yes, Miss.[Goes out.] | |
|
|
| | CECILY. Miss Fairfax! I suppose one of the many good elderly | |
| | women who are associated with Uncle Jack in some of his | |
| | philanthropic work in London. I don't quite like women who are | |
| | interested in philanthropic work. I think it is so forward of | |
| | them. | |
|
|
| | CECILY.[Advancing to meet her.]Pray let me introduce myself to | |
| | you. My name is Cecily Cardew. | |
|
|
| | GWENDOLEN. Cecily Cardew?[Moving to her and shaking hands.] | |
| | What a very sweet name! Something tells me that we are going to be | |
| | great friends. I like you already more than I can say. My first | |
| | impressions of people are never wrong. | |
|
|
| | CECILY. How nice of you to like me so much after we have known | |
| | each other such a comparatively short time. Pray sit down. | |
|
|
| | GWENDOLEN.[Still standing up.]I may call you Cecily, may I not? | |
|
|
| | GWENDOLEN. And you will always call me Gwendolen, won't you? | |
|
|
| | GWENDOLEN. Then that is all quite settled, is it not? | |
|
|
| | CECILY. I hope so.[A pause. They both sit down together.] | |
|
|
| | GWENDOLEN. Perhaps this might be a favourable opportunity for my | |
| | mentioning who I am. My father is Lord Bracknell. You have never | |
| | heard of papa, I suppose? | |
|
|
| | CECILY. I don't think so. | |
|
|
| | GWENDOLEN. Outside the family circle, papa, I am glad to say, is | |
| | entirely unknown. I think that is quite as it should be. The home | |
| | seems to me to be the proper sphere for the man. And certainly | |
| | once a man begins to neglect his domestic duties he becomes | |
| | painfully effeminate, does he not? And I don't like that. It | |
| | makes men so very attractive. Cecily, mamma, whose views on | |
| | education are remarkably strict, has brought me up to be extremely | |
| | short-sighted; it is part of her system; so do you mind my looking | |
| | at you through my glasses? | |
|
|
| | CECILY. Oh! not at all, Gwendolen. I am very fond of being looked | |
| | at. | |
|
|
| | GWENDOLEN.[After examining CECILY carefully through a lorgnette.] | |
| | You are here on a short visit, I suppose. | |
|
|
| | CECILY. Oh no! I live here. | |
|
|
| | GWENDOLEN.[Severely.]Really? Your mother, no doubt, or some | |
| | female relative of advanced years, resides here also? | |
|
|
| | CECILY. Oh no! I have no mother, nor, in fact, any relations. | |
|
|
| | CECILY. My dear guardian, with the assistance of Miss Prism, has | |
| | the arduous task of looking after me. | |
|
|
| | GWENDOLEN. Your guardian? | |
|
|
| | CECILY. Yes, I am Mr. Worthing's ward. | |
|
|
| | GWENDOLEN. Oh! It is strange he never mentioned to me that he had | |
| | a ward. How secretive of him! He grows more interesting hourly. | |
| | I am not sure, however, that the news inspires me with feelings of | |
| | unmixed delight.[Rising and going to her.]I am very fond of | |
| | you, Cecily; I have liked you ever since I met you! But I am bound | |
| | to state that now that I know that you are Mr. Worthing's ward, I | |
| | cannot help expressing a wish you were - well, just a little older | |
| | than you seem to be - and not quite so very alluring in appearance. | |
| | In fact, if I may speak candidly - | |
|
|
| | CECILY. Pray do! I think that whenever one has anything | |
| | unpleasant to say, one should always be quite candid. | |
|
|
| | GWENDOLEN. Well, to speak with perfect candour, Cecily, I wish | |
| | that you were fully forty-two, and more than usually plain for your | |
| | age. Ernest has a strong upright nature. He is the very soul of | |
| | truth and honour. Disloyalty would be as impossible to him as | |
| | deception. But even men of the noblest possible moral character | |
| | are extremely susceptible to the influence of the physical charms | |
| | of others. Modern, no less than Ancient History, supplies us with | |
| | many most painful examples of what I refer to. If it were not so, | |
| | indeed, History would be quite unreadable. | |
|
|
| | CECILY. I beg your pardon, Gwendolen, did you say Ernest? | |
|
|
| | CECILY. Oh, but it is not Mr. Ernest Worthing who is my guardian. | |
| | It is his brother - his elder brother. | |
|
|
| | GWENDOLEN.[Sitting down again.]Ernest never mentioned to me | |
| | that he had a brother. | |
|
|
| | CECILY. I am sorry to say they have not been on good terms for a | |
| | long time. | |
|
|
| | GWENDOLEN. Ah! that accounts for it. And now that I think of it I | |
| | have never heard any man mention his brother. The subject seems | |
| | distasteful to most men. Cecily, you have lifted a load from my | |
| | mind. I was growing almost anxious. It would have been terrible | |
| | if any cloud had come across a friendship like ours, would it not? | |
| | Of course you are quite, quite sure that it is not Mr. Ernest | |
| | Worthing who is your guardian? | |
|
|
| | CECILY. Quite sure.[A pause.]In fact, I am going to be his. | |
|
|
| | GWENDOLEN.[Inquiringly.]I beg your pardon? | |
|
|
| | CECILY.[Rather shy and confidingly.]Dearest Gwendolen, there is | |
| | no reason why I should make a secret of it to you. Our little | |
| | county newspaper is sure to chronicle the fact next week. Mr. | |
| | Ernest Worthing and I are engaged to be married. | |
|
|
| | GWENDOLEN.[Quite politely, rising.]My darling Cecily, I think | |
| | there must be some slight error. Mr. Ernest Worthing is engaged to | |
| | me. The announcement will appear in the MORNING POST on Saturday | |
| | at the latest. | |
|
|
| | CECILY.[Very politely, rising.]I am afraid you must be under | |
| | some misconception. Ernest proposed to me exactly ten minutes ago. | |
| |
[Shows diary.]
| |
|
|
| | GWENDOLEN.[Examines diary through her lorgnettte carefully.]It | |
| | is certainly very curious, for he asked me to be his wife yesterday | |
| | afternoon at 5.30. If you would care to verify the incident, pray | |
| | do so.[Produces diary of her own.]I never travel without my | |
| | diary. One should always have something sensational to read in the | |
| | train. I am so sorry, dear Cecily, if it is any disappointment to | |
| | you, but I am afraid I have the prior claim. | |
|
|
| | CECILY. It would distress me more than I can tell you, dear | |
| | Gwendolen, if it caused you any mental or physical anguish, but I | |
| | feel bound to point out that since Ernest proposed to you he | |
| | clearly has changed his mind. | |
|
|
| | GWENDOLEN.[Meditatively.]If the poor fellow has been entrapped | |
| <
|