Act I
|
| | (SCENE.—A large room looking upon a garden door in the left-hand | |
| | wall, and two in the right. In the middle of the room, a round | |
| | table with chairs set about it, and books, magazines and | |
| | newspapers upon it. In the foreground on the left, a window, by | |
| | which is a small sofa with a work-table in front of it. At the | |
| | back the room opens into a conservatory rather smaller than the | |
| | room. From the right-hand side of this, a door leads to the | |
| | garden. Through the large panes of glass that form the outer wall | |
| | of the conservatory, a gloomy fjord landscape can be discerned, | |
| | half-obscured by steady rain. | |
|
|
| | ENGSTRAND is standing close to the garden door. His left leg | |
| | is slightly deformed, and he wears a boot with a clump of wood | |
| | under the sole. REGINA, with an empty garden-syringe in her hand, | |
| | is trying to prevent his coming in.) | |
|
|
| | Regina (below her breath). What is it you want? Stay where you | |
| | are. The rain is dripping off you, | |
|
|
| | Engstrand. God's good rain, my girl. | |
|
|
| | Regina. The Devil's own rain, that's what it is! | |
|
|
| | Engstrand. Lord, how you talk, Regina. (Takes a few limping steps | |
| | forward.) What I wanted to tell you was this— | |
|
|
| | Regina. Don't clump about like that, stupid! The young master is | |
| | lying asleep upstairs. | |
|
|
| | Engstrand. Asleep still? In the middle of the day? | |
|
|
| | Regina. Well, it's no business of yours. | |
|
|
| | Engstrand. I was out on a spree last night— | |
|
|
| | Regina. I don't doubt it. | |
|
|
| | Engstrand. Yes, we are poor weak mortals, my girl— | |
|
|
| | Engstrand.—and the temptations of the world are manifold, you | |
| | know—but, for all that, here I was at my work at half-past five | |
| | this morning. | |
|
|
| | Regina. Yes, yes, but make yourself scarce now. I am not going to | |
| | stand here as if I had a rendezvous with you. | |
|
|
| | Engstrand. As if you had a what? | |
|
|
| | Regina. I am not going to have anyone find you here; so now you | |
| | know, and you can go. | |
|
|
| | Engstrand (coming a few steps nearer). Not a bit of it! Not | |
| | before we have had a little chat. This afternoon I shall have | |
| | finished my job down at the school house, and I shall be off home | |
| | to town by tonight's boat. | |
|
|
| | Regina (mutters). Pleasant journey to you! | |
|
|
| | Engstrand. Thanks, my girl. Tomorrow is the opening of the | |
| | Orphanage, and I expect there will be a fine kick-up here and | |
| | plenty of good strong drink, don't you know. And no one shall say | |
| | of Jacob Engstrand that be can't hold off when temptation comes | |
| | in his way. | |
|
|
| | Engstrand. Yes, because there will be a lot of fine folk here | |
| | tomorrow. Parson Manders is expected from town, too. | |
|
|
| | Regina: What's more, he's coming today. | |
|
|
| | Engstrand. There you are! And I'm going to be precious careful he | |
| | doesn't have anything to say against me, do you see? | |
|
|
| | Regina. Oh, that's your game, is it? | |
|
|
| | Engstrand. What do you mean? | |
|
|
| | Regina (with a significant look at him). What is it you want to | |
| | humbug Mr. Manders out of this time? | |
|
|
| | Engstrand. Sh! Sh! Are you crazy? Do you suppose I would want to | |
| | humbug Mr. Manders? No, no—Mr. Manders has always been too kind | |
| | a friend for me to do that. But what I wanted to talk to you | |
| | about, was my going back home tonight. | |
|
|
| | Regina. The sooner you go, the better I shall be pleased. | |
|
|
| | Engstrand. Yes, only I want to take you with me, Regina. | |
|
|
| | Regina (open-mouthed). You want to take me—? What did you say? | |
|
|
| | Engstrand. I want to take you home with me, I said. | |
|
|
| | Regina (contemptuously). You will never get me home with you. | |
|
|
| | Engstrand. Ah, we shall see about that. | |
|
|
| | Regina. Yes, you can be quite certain we shall see about that. I, | |
| | who have been brought up by a lady like Mrs. Alving?—I, who have | |
| | been treated almost as if I were her own child?—do you suppose I | |
| | am going home with you?—to such a house as yours? Not likely! | |
|
|
| | Engstrand. What the devil do you mean? Are you setting yourself | |
| | up against your father, you hussy? | |
|
|
| | Regina (mutters, without looking at him). You have often told me | |
| | I was none of yours. | |
|
|
| | Engstrand. Bah!—why do you want to pay any attention to that? | |
|
|
| | Regina. Haven't you many and many a time abused me and called me | |
| | a—? For shame? | |
|
|
| | Engstrand. I'll swear I never used such an ugly word. | |
|
|
| | Regina. Oh, it doesn't matter what word you used. | |
|
|
| | Engstrand. Besides, that was only when I was a bit fuddled...hm! | |
| | Temptations are manifold in this world, Regina. | |
|
|
| | Engstrand. And it was when your mother was in a nasty temper. I | |
| | had to find some way of getting my knife into her, my girl. She | |
| | was always so precious gentile. (Mimicking her.) "Let go, Jacob! | |
| | Let me be! Please to remember that I was three years with the | |
| | Alvings at Rosenvold, and they were people who went to Court! | |
| | (Laughs.) Bless my soul, she never could forget that Captain | |
| | Alving got a Court appointment while she was in service here. | |
|
|
| | Regina. Poor mother—you worried her into her grave pretty soon. | |
|
|
| | Engstrand (shrugging his shoulders). Of course, of course; I have | |
| | got to take the blame for everything. | |
|
|
| | Regina (beneath her breath, as she turns away). Ugh—that leg, | |
| | too! | |
|
|
| | Engstrand. What are you saying, my girl? | |
|
|
| | Engstrand. Is that English? | |
|
|
| | Engstrand. You have had a good education out here, and no | |
| | mistake; and it may stand you in good stead now, Regina. | |
|
|
| | Regina (after a short silence). And what was it you wanted me to | |
| | come to town for? | |
|
|
| | Engstrand. Need you ask why a father wants his only child? Ain't | |
| | I a poor lonely widower? | |
|
|
| | Regina. Oh, don't come to me with that tale. Why do you want me to | |
| | go? | |
|
|
| | Engstrand. Well, I must tell you I am thinking of taking up a new | |
| | line now. | |
|
|
| | Regina (whistles). You have tried that so often—but it has | |
| | always proved a fool's errand. | |
|
|
| | Engstrand. Ah, but this time you will just see, Regina! Strike me | |
| | dead if— | |
|
|
| | Regina (stamping her foot). Stop swearing! | |
|
|
| | Engstrand. Sh! Sh!—you're quite right, my girl, quite right! | |
| | What I wanted to say was only this, that I have put by a tidy | |
| | penny out of what I have made by working at this new Orphanage up | |
| | here. | |
|
|
| | Regina. Have you? All the better for you. | |
|
|
| | Engstrand. What is there for a man to spend his money on, out | |
| | here in the country? | |
|
|
| | Engstrand. Well, you see, I thought of putting the money into | |
| | something that would pay. I thought of some kind of an eating- | |
| | house for seafaring folk— | |
|
|
| | Engstrand. Oh, a high-class eating-house, of course—not a | |
| | pigsty for common sailors. Damn it, no; it would be a place | |
| | ships' captains and first mates would come to; really good sort | |
| | of people, you know. | |
|
|
| | Regina. And what should I—? | |
|
|
| | Engstrand. You would help there: But only to make show, you know. | |
| | You wouldn't find it hard work, I can promise you, my girl. You | |
| | should do exactly as you liked. | |
|
|
| | Regina. Oh, yes, quite so! | |
|
|
| | Engstrand. But we must have some women in the house; that is as | |
| | clear as daylight. Because in the evening we must make the place | |
| | a little attractive—some singing and dancing, and that sort of | |
| | thing. Remember they are seafolk—wayfarers on the waters of | |
| | life! (Coming nearer to her.) Now don't be a fool and stand in | |
| | your own way, Regina. What good are you going to do here? Will | |
| | this education, that your mistress has paid for, be of any use? | |
| | You are to look after the children in the new Home, I hear. Is | |
| | that the sort of work for you? Are you so frightfully anxious to | |
| | go and wear out your health and strength for the sake of these | |
| | dirty brats? | |
|
|
| | Regina. No, if things were to go as I want them to, then—. Well, | |
| | it may happen; who knows? It may happen! | |
|
|
| | Engstrand. What may happen? | |
|
|
| | Regina. Never you mind. Is it much that you have put by, up here? | |
|
|
| | Engstrand. Taking it all round, I should say about forty or fifty | |
| | pounds. | |
|
|
| | Regina. That's not so bad. | |
|
|
| | Engstrand. It's enough to make a start with, my girl. | |
|
|
| | Regina. Don't you mean to give me any of the money? | |
|
|
| | Engstrand. No, I'm hanged if I do. | |
|
|
| | Regina. Don't you mean to send me as much as a dress-length of | |
| | stuff, just for once? | |
|
|
| | Engstrand. Come and live in the town with me and you shall have | |
| | plenty of dresses. | |
|
|
| | Regina: Pooh!—I can get that much for myself, if I have a mind | |
| | to. | |
|
|
| | Engstrand. But it's far better to have a father's guiding hand, | |
| | Regina. Just now I can get a nice house in Little Harbour Street. | |
| | They don't want much money down for it—and we could make it like | |
| | a sort of seamen's home, don't you know. | |
|
|
| | Regina. But I have no intention of living with you! I'll have | |
| | nothing whatever to do with you: So now, be off! | |
|
|
| | Engstrand. You wouldn't be living with me long, my girl. No such | |
| | luck—not if you knew how to play your cards. Such a fine wench | |
| | as you have grown this last year or two... | |
|
|
| | Engstrand. It wouldn't be very long before some first mate came | |
| | along—or perhaps a captain. | |
|
|
| | Regina. I don't mean to marry a man of that sort. Sailors have no | |
| | savoir-vivre. | |
|
|
| | Engstrand. What haven't they got? | |
|
|
| | Regina. I know what sailors are, I tell you. They aren't the sort | |
| | of people to marry. | |
|
|
| | Engstrand. Well, don't bother about marrying them. You can make | |
| | it pay just as well. (More confidentially.) That fellow—the | |
| | Englishman—the one with the yacht—he gave seventy pounds, he | |
| | did; and she wasn't a bit prettier than you. | |
|
|
| | Regina (advancing towards him). Get out! | |
|
|
| | Engstrand (stepping back). Here! here!—you're not going to hit | |
| | me, I suppose? | |
|
|
| | Regina. Yes! If you talk like that of mother, I will hit you. Get | |
| | out, I tell. You! (Pushes him up to the garden door.) And don't | |
| | bang the doors. Young Mr. Alving— | |
|
|
| | Engstrand. Is asleep—I know. It's funny how anxious you are | |
| | about young Mr. Alving. (In a lower tone.) Oho! is it possible | |
| | that it is he that—? | |
|
|
| | Regina. Get out, and be quick about it! Your wits are wandering, | |
| | my good man. No, don't go that way; Mr. Manders is just coming | |
| | along. Be off down the kitchen stairs. | |
|
|
| | Engstrand (moving towards the. right). Yes, yes—all right. But | |
| | have a bit of a chat with him that's coming along. He's the chap | |
| | to tell you what a child owes to its father. For I am your | |
| | father, anyway, you know, I can prove it by the Register. (He | |
| | goes out through the farther door which REGINA has opened. She | |
| | shuts it after him, looks hastily at herself in the mirror, fans | |
| | herself with her handkerchief and sets her collar straight; then | |
| | busies herself with the flowers. MANDERS enters the conservatory | |
| | through the garden door. He wears an overcoat, carries an | |
| | umbrella, and has a small travelling-bag slung over his shoulder | |
| | on a strap.) | |
|
|
| | Manders. Good morning, Miss Engstrand. | |
|
|
| | Regina (turning round with a look of pleased. surprise), Oh, Mr. | |
| | Manders, good morning. The boat is in, then? | |
|
|
| | Manders. Just in. (Comes into the room.) It is most tiresome, | |
| | this rain every day. | |
|
|
| | Regina (following him in). It's a splendid rain for the farmers, | |
| | Mr. Manders. | |
|
|
| | Manders. Yes, you are quite right. We townfolk think so little | |
| | about that. (Begins to take off his overcoat.) | |
|
|
| | Regina. Oh, let me help you. That's it. Why, how wet it is! I | |
| | will hang it up in the hall. Give me your umbrella, too; I will | |
| | leave it open, so that it will dry. | |
|
|
| | (She goes out with the things by the farther door on the right. | |
| | MANDERS lays his bag and his hat down on a chair. REGINA re- | |
| | enters.) | |
|
|
| | Manders. Ah, it's very pleasant to get indoors. Well, is | |
| | everything going on well here? | |
|
|
| | Manders. Properly busy, though, I expect, getting ready for | |
| | tomorrow? | |
|
|
| | Regina. Oh, yes, there is plenty to do. | |
|
|
| | Manders. And Mrs. Alving is at home, I hope? | |
|
|
| | Regina. Yes, she is. She has just gone upstairs to take the young | |
| | master his chocolate. | |
|
|
| | Manders. Tell me—I heard down at the pier that Oswald had come | |
| | back. | |
|
|
| | Regina. Yes, he came the day before yesterday. We didn't expect | |
| | him until today. | |
|
|
| | Manders. Strong and well, I hope? | |
|
|
| | Regina. Yes, thank you, well enough. But dreadfully tired after | |
| | his journey. He came straight from Paris without a stop—I mean, | |
| | he came all the way without breaking his journey. I fancy he is | |
| | having a sleep now, so we must talk a little bit more quietly, if | |
| | you don't mind. | |
|
|
| | Manders. All right, we will be very quiet. | |
|
|
| | Regina (while she moves an armchair up to the table), Please sit | |
| | down, Mr. Manders, and make yourself at home. (He sits down; she | |
| | puts a footstool under his feet.) There! Is that comfortable? | |
|
|
| | Manders. Thank you, thank you. That is most comfortable; (Looks | |
| | at her.) I'll tell you what, Miss Engstrand, I certainly think | |
| | you have grown since I saw you last. | |
|
|
| | Regina. Do you think so? Mrs. Alving says, too—that I have | |
| | developed. | |
|
|
| | Manders. Developed? Well, perhaps a little—just suitably. (A | |
| | short pause.) | |
|
|
| | Regina. Shall I tell Mrs. Alving you are here? | |
|
|
| | Manders. Thanks, there is no hurry, my dear child. Now tell me, | |
| | Regina my dear, how has your father been getting on here? | |
|
|
| | Regina. Thank you, Mr. Manders, he is getting on pretty well. | |
|
|
| | Manders. He came to see me the last time he was in town. | |
|
|
| | Regina. Did he? He is always so glad when he can have a chat with | |
| | you. | |
|
|
| | Manders. And I suppose you have seen him pretty regularly every | |
| | day? | |
|
|
| | Regina. I? Oh, yes, I do—whenever I have time, that is to say. | |
|
|
| | Manders. Your father has not a very strong character, Miss | |
| | Engstrand. He sadly needs a guiding hand. | |
|
|
| | Regina. Yes, I can quite believe that. | |
|
|
| | Manders. He needs someone with him that he can cling to, someone | |
| | whose judgment he can rely on. He acknowledged that freely | |
| | himself, the last time he came up to see me. | |
|
|
| | Regina. Yes, he has said something of the same sort to me. But I | |
| | don't know whether Mrs. Alving could do without me—most of all | |
| | just now, when we have the new Orphanage to see about. And I | |
| | should be dreadfully unwilling to leave Mrs. Alving, too; she has | |
| | always been so good to me. | |
|
|
| | Manders. But a daughter's duty, my good child—. Naturally we | |
| | should have to get your mistress' consent first. | |
|
|
| | Regina. Still I don't know whether it would be quite the thing, | |
| | at my age, to keep house for a single man. | |
|
|
| | Manders. What! My dear Miss Engstrand, it is your own father we | |
| | are speaking of! | |
|
|
| | Regina. Yes, I dare say, but still—. Now, if it were in a good | |
| | house and with a real gentleman— | |
|
|
| | Manders. But, my dear Regina! | |
|
|
| | Regina.—one whom I could feel an affection for, and really feel | |
| | in the position of a daughter to... | |
|
|
| | Manders. Come, come—my dear good child— | |
|
|
| | Regina. I should like very much to live in town. Out here it is | |
| | terribly lonely; and you know yourself, Mr. Manders, what it is | |
| | to be alone in the world. And, though I say it, I really am both | |
| | capable and willing. Don't you know any place that would be | |
| | suitable for me, Mr. Manders? | |
|
|
| | Manders. I? No, indeed I don't. | |
|
|
| | Regina. But, dear Mr. Manders—at any rate don't forget me, in | |
| | case— | |
|
|
| | Manders (getting up). No, I won't forget you, Miss Engstrand. | |
|
|
| | Manders. Perhaps you will be so kind as to let Mrs, Alving know I | |
| | am here? | |
|
|
| | Regina. I will fetch her at once, Mr. Manders. (Goes out to the | |
| | left. MANDERS walks up and down the room once or twice, stands | |
| | for a moment at the farther end of the room with his hands behind | |
| | his back and looks out into the garden. Then he comes back to the | |
| | table, takes up a book and looks at the title page, gives a | |
| | start, and looks at some of the others.) | |
|
|
| | (MRS. ALVING comes in by the door on the left. She is followed by | |
| | REGINA, who goes out again at once through the nearer door on the | |
| | right.) | |
|
|
| | Mrs. Alving (holding out her hand). I am very glad to see you, | |
| | Mr. Manders. | |
|
|
| | Manders. How do you do, Mrs. Alving. Here I am, as I promised. | |
|
|
| | Mrs. Alving. Always punctual! | |
|
|
| | Manders. Indeed, I was hard put to it to get away. What with | |
| | vestry meetings and committees. | |
|
|
| | Mrs. Alving. It was all the kinder of you to come in such good | |
| | time; we can settle our business before dinner. But where is your | |
| | luggage? | |
|
|
| | Manders (quickly). My things are down at the village shop. I am | |
| | going to sleep there tonight. | |
|
|
| | Mrs. Alving (repressing a smile). Can't I really persuade you to | |
| | stay the night here this time? | |
|
|
| | Manders. No, no; many thanks all the same; I will put up there, | |
| | as usual. It is so handy for getting on board the boat again. | |
|
|
| | Mrs. Alving. Of course, you shall do as you please. But it seems | |
| | to me quite another thing, now we are two old people— | |
|
|
| | Manders. Ha! ha! You will have your joke! And it's natural you | |
| | should be in high spirits today—first of all there is the great | |
| | event tomorrow, and also you have got Oswald home. | |
|
|
| | Mrs. Alving. Yes, am I not a lucky woman! It is more than two | |
| | years since he was home last, and he has promised to stay the | |
| | whole winter with me. | |
|
|
| | Manders, Has he, really? That is very nice and filial of him; | |
| | because there must be many more attractions in his life in Rome | |
| | or in Paris, I should think. | |
|
|
| | Mrs. Alving. Yes, but he has his mother here, you see. Bless the | |
| | dear boy, he has got a corner in his heart for his mother still. | |
|
|
| | Manders. Oh, it would be very sad if absence and preoccupation | |
| | with such a thing as Art were to dull the natural affections. | |
|
|
| | Mrs. Alving. It would, indeed. But there is no fear of that with | |
| | him, I am glad to say. I am quite curious to see if you recognise | |
| | him again. He will be down directly; he is just lying down for a | |
| | little on the sofa upstairs. But do sit down, my dear friend. | |
|
|
| | Manders. Thank you. You are sure I am not disturbing you? | |
|
|
| | Mrs. Alving. Of course not. (She sits down at the table.) | |
|
|
| | Manders. Good. Then I will show you—. (He goes to the chair | |
| | where his bag is lying and takes a packet of papers from it; then | |
| | sits down at the opposite side of the table and looks for a clear | |
| | space to put the papers down.) Now first of all, here is—(breaks | |
| | off). Tell me, Mrs. Alving, what are these books doing here? | |
|
|
| | Mrs. Alving. These books? I am reading them, | |
|
|
| | Manders. Do you read this sort of thing? | |
|
|
| | Mrs, Alving. Certainly I do. | |
|
|
| | Manders. Do you feel any the better or the happier for reading | |
| | books of this kind? | |
|
|
| | Mrs. Alving. I think it makes me, as it were, more self-reliant. | |
|
|
| | Manders. That is remarkable. But why? | |
|
|
| | Mrs. Alving. Well, they give me an explanation or a confirmation | |
| | of lots of different ideas that have come into my own mind. But | |
| | what surprises me, Mr. Manders, is that, properly speaking, there | |
| | is nothing at all new in these books. There is nothing more in | |
| | them than what most people think and believe. The only thing is, | |
| | that most people either take no account of it or won't admit it | |
| | to themselves. | |
|
|
| | Manders. But, good heavens, do you seriously think that most | |
| | people—? | |
|
|
| | Mrs. Alving. Yes, indeed, I do. | |
|
|
| | Manders. But not here in the country at any rate? Not here | |
| | amongst people like ourselves? | |
|
|
| | Mrs. Alving. Yes, amongst people like ourselves too. | |
|
|
| | Manders. Well, really, I must say—! | |
|
|
| | Mrs. Alving. But what is the particular objection that you have | |
| | to these books? | |
|
|
| | Manders. What objection? You surely don't suppose that I take any | |
| | particular interest in such productions? | |
|
|
| | Mrs. Alving. In fact, you don't know anything about what you are | |
| | denouncing? | |
|
|
| | Manders. I have read quite enough about these books to disapprove | |
| | of them: | |
|
|
| | Mrs. Alving. Yes, but your own opinion— | |
|
|
| | Manders. My dear Mrs. Alving, there are many occasions in life | |
| | when one has to rely on the opinion of others. That is the way in | |
| | this world, and it is quite right that it should be so. What | |
| | would become of society, otherwise? | |
|
|
| | Mrs. Alving. Well, you may be right. | |
|
|
| | Manders. Apart from that, naturally I don't deny that literature | |
| | of this kind may have a considerable attraction. And I cannot | |
| | blame you, either, for wishing to make yourself acquainted with | |
| | the intellectual tendencies which I am told are at work in the | |
| | wider world in which you have allowed your son to wander for so | |
| | long but— | |
|
|
| | Manders (lowering his voice). But one doesn't talk about it, Mrs. | |
| | Alving. One certainly is not called upon to account to everyone | |
| | for what one reads or thinks in the privacy of one's own room. | |
|
|
| | Mrs. Alving. Certainly not. I quite agree with you. | |
|
|
| | Manders. Just think of the consideration you owe to this | |
| | Orphanage, which you decided to build at a time when your | |
| | thoughts on such subjects were very different from what they are | |
| | now—as far as I am able to judge. | |
|
|
| | Mrs. Alving. Yes, I freely admit that. But it was about the | |
| | Orphanage... | |
|
|
| | Manders. It was about the Orphanage we were going to talk; quite | |
| | so. Well—walk warily, dear Mrs. Alving! And now let us turn to | |
| | the business in hand. (Opens an envelope and takes out some | |
| | papers.) You see these? | |
|
|
| | Manders. Yes, the whole lot—and everything in order; I can tell | |
| | you it has been no easy matter to get them in time. I had | |
| | positively to put pressure on the authorities; they are almost | |
| | painfully conscientious when it is a question of settling | |
| | property. But here they are at last. (Turns over the papers.) | |
| | Here is the deed of conveyance of that part of the Rosenvold | |
| | estate known as the Solvik property, together with the buildings | |
| | newly erected thereon—the school, the masters' houses and the | |
| | chapel. And here is the legal sanction for the statutes of the | |
| | institution. Here, you see—(reads) "Statutes for the Captain | |
| | Alving Orphanage." | |
|
|
| | Mrs. Alving (after a long look at the papers). That seems all in | |
| | order. | |
|
|
| | Manders. I thought "Captain " was the better title to use, rather | |
| | than your husband's Court title of "Chamberlain." "Captain " | |
| | seems less ostentatious. | |
|
|
| | Mrs. Alving. Yes, yes; just as you think best. | |
|
|
| | Manders. And here is the certificate for the investment of the | |
| | capital in the bank, the interest being earmarked for the current | |
| | expenses of the Orphanage. | |
|
|
| | Mrs. Alving. Many thanks; but I think it will be most convenient | |
| | if you will kindly take charge of them. | |
|
|
| | Manders. With pleasure. I think it will be best to leave the | |
| | money in the bank for the present. The interest is not very high, | |
| | it is true; four per cent at six months' call; later on, if we | |
| | can find some good mortgage—of course it must be a first mortgage | |
| | and on unexceptionable security—we can consider the matter | |
| | further. | |
|
|
| | Mrs. Alving. Yes, yes, my dear Mr. Manders, you know best about | |
| | all that. | |
|
|
| | Manders. I will keep my eye on it, anyway. But there is one thing | |
| | in connection with it that I have often meant to ask you about. | |
|
|
| | Mrs. Alving. What is that? | |
|
|
| | Manders. Shall we insure the buildings, or not? | |
|
|
| | Mrs. Alving. Of course we must insure them. | |
|
|
| | Manders. Ah, but wait a moment, dear lady. Let us look into the | |
| | matter a little more closely. | |
|
|
| | Mrs. Alving. Everything of mine is insured—the house and its | |
| | contents, my livestock—everything. | |
|
|
| | Manders. Naturally. They are your own property. I do exactly the | |
| | same, of course. But this, you see, is quite a different case. | |
| | The Orphanage is, so to speak, dedicated to higher uses. | |
|
|
| | Mrs. Alving. Certainly, but— | |
|
|
| | Manders. As far as I am personally concerned, I can | |
| | conscientiously say that I don't see the smallest objection to | |
| | our insuring ourselves against all risks. | |
|
|
| | Mrs. Alving. That is exactly what I think. | |
|
|
| | Manders. But what about the opinion of the people hereabouts? | |
|
|
| | Mrs. Alving. Their opinion—? | |
|
|
| | Manders. Is there any considerable body of opinion here—opinion | |
| | of some account, I mean—that might take exception to it? | |
|
|
| | Mrs. Alving. What, exactly, do you mean by opinion of some | |
| | account? | |
|
|
| | Manders. Well, I was thinking particularly of persons of such | |
| | independent and influential position that one could hardly refuse | |
| | to attach weight to their opinion. | |
|
|
| | Mrs. Alving. There are a certain number of such people here, who | |
| | might perhaps take exception to it if we— | |
|
|
| | Manders. That's just it, you see. In town there are lots of them. | |
| | All my fellow-clergymen's congregations, for instance! It would | |
| | be so extremely easy for them to interpret it as meaning that | |
| | neither you nor I had a proper reliance on Divine protection. | |
|
|
| | Mrs. Alving. But as far as you are concerned, my dear friend, you | |
| | have at all events the consciousness that— | |
|
|
| | Manders. Yes I know I know; my own mind is quite easy about it, | |
| | it is true. But we should not be able to prevent a wrong and | |
| | injurious interpretation of our action. And that sort of thing, | |
| | moreover, might very easily end in exercising a hampering | |
| | influence on the work of the Orphanage. | |
|
|
| | Mrs. Alving. Oh, well, if that is likely to be the effect of it— | |
|
|
| | Manders. Nor can I entirely overlook the difficult—indeed, I may | |
| | say, painful—position I might possibly be placed in. In the best | |
| | circles in town the matter of this Orphanage is attracting a | |
| | great deal of attention. Indeed the Orphanage is to some extent | |
| | built for the benefit of the town too, and it is to be hoped that | |
| | it may result in the lowering of our poor-rate by a considerable | |
| | amount. But as I have been your adviser in the matter and have | |
| | taken charge of the business side of it, I should be afraid that | |
| | it would be I that spiteful persons would attack first of all. | |
|
|
| | Mrs. Alving. Yes, you ought not to expose yourself to that. | |
|
|
| | Manders. Not to mention the attacks that would undoubtedly be | |
| | made upon me in certain newspapers and reviews. | |
|
|
| | Mrs. Alving. Say no more about it, dear Mr. Manders; that quite | |
| | decides it. | |
|
|
| | Manders. Then you don't wish it to be insured? | |
|
|
| | Mrs. Alving. No, we will give up the idea. | |
|
|
| | Manders (leaning back in his chair). But suppose, now, that some | |
| | accident happened?—one can never tell—would you be prepared to | |
| | make good the damage? | |
|
|
| | Mrs. Alving. No; I tell you quite plainly I would not do so under | |
| | any circumstances. | |
|
|
| | Manders. Still, you know, Mrs. Alving—after all, it is a serious | |
| | responsibility that we are taking upon ourselves. | |
|
|
| | Mrs. Alving. But do you think we can do otherwise? | |
|
|
| | Manders. No, that's just it. We really can't do otherwise. We | |
| | ought not to expose ourselves to a mistaken judgment; and we have | |
| | no right to do anything that will scandalise the community. | |
|
|
| | Mrs. Alving. You ought not to, as a clergyman, at any rate. | |
|
|
| | Manders. And, what is more, I certainly think that we may count | |
| | upon our enterprise being attended by good fortune—indeed, that | |
| | it will be under a special protection. | |
|
|
| | Mrs. Alving. Let us hope so, Mr. Manders. | |
|
|
| | Manders. Then we will leave it alone? | |
|
|
| | Manders. Very good. As you wish. (Makes a note.) No insurance, | |
| | then. | |
|
|
| | Mrs. Alving. It's a funny thing that you should just have | |
| | happened to speak about that today— | |
|
|
| | Manders. I have often meant to ask you about it. | |
|
|
| | Mrs. Alving.—because yesterday we very nearly had a fire up | |
| | there. | |
|
|
| | Mrs. Alving. Oh, as a matter of fact it was nothing of any | |
| | consequence. Some shavings in the carpenter's shop caught fire. | |
|
|
| | Manders. Where Engstrand works? | |
|
|
| | Mrs. Alving. Yes. They say he is often so careless with matches. | |
|
|
| | Manders. He has so many things on his mind, poor fellow—so many | |
| | anxieties. Heaven be thanked, I am told he is really making an | |
| | effort to live a blameless life, | |
|
|
| | Mrs. Alving. Really? Who told you so? | |
|
|
| | Manders. He assured me himself that it is so. He's good workman, | |
| | too. | |
|
|
| | Mrs. Alving. Oh, yes, when he is sober. | |
|
|
| | Manders. Ah, that sad weakness of his! But the pain in his poor | |
| | leg often drives him to it, he tells me. The last time he was in | |
| | town, I was really quite touched by him. He came to my house and | |
| | thanked me so gratefully for getting him work here, where he | |
| | could have the chance of being with Regina. | |
|
|
| | Mrs. Alving. He doesn't see very much of her. | |
|
|
| | Manders. But he assured me that he saw her every day. | |
|
|
| | Mrs. Alving. Oh well, perhaps he does. | |
|
|
| | Manders. He feels so strongly that he needs someone who can keep | |
| | a hold on him when temptations assail him. That is the most | |
| | winning thing about Jacob Engstrand; he comes to one like a | |
| | helpless child and accuses himself and confesses his frailty. The | |
| | last time he came and had a talk with me... Suppose now, Mrs. | |
| | Alving, that it were really a necessity of his existence to have | |
| | Regina at home with him again— | |
|
|
| | Mrs. Alving (standing up suddenly). Regina! | |
|
|
| | Manders.—you ought not to set yourself against him. | |
|
|
| | Mrs. Alving. Indeed, I set myself very definitely against that. | |
| | And, besides, you know Regina is to have a post in the Orphanage. | |
|
|
| | Manders. But consider, after all he is her father— | |
|
|
| | Mrs. Alving. I know best what sort of a father he has been to | |
| | her. No, she shall never go to him with my consent. | |
|
|
| | Manders (getting up). My dear lady, don't judge so hastily. It is | |
| | very sad how you misjudge poor Engstrand. One would really think | |
| | you were afraid... | |
|
|
| | Mrs. Alving (more calmly). That is not the question. I have taken | |
| | Regina into my charge, and in my charge she remains. (Listens.) | |
| | Hush, dear Mr. Manders, don't say any more about it. (Her face | |
| | brightens with pleasure.) Listen! Oswald is coming downstairs. We | |
| | will only think about him now. | |
|
|
| | (OSWALD ALVING, in a light overcoat, hat in hand and smoking a | |
| | big meerschaum pipe, comes in by the door on the left.) | |
|
|
| | Oswald (standing in the doorway). Oh, I beg your pardon, I | |
| | thought you were in the office. (Comes in.) Good morning, Mr. | |
| | Manders. | |
|
|
| | Manders (staring at him). Well! It's most extraordinary. | |
|
|
| | Mrs. Alving. Yes, what do you think of him, Mr. Manders? | |
|
|
| | Manders. I-I-no, can it possibly be—? | |
|
|
| | Oswald. Yes, it really is the prodigal son, Mr. Manders. | |
|
|
| | Manders. Oh, my dear young friend— | |
|
|
| | Oswald. Well, the son came home, then. | |
|
|
| | Mrs. Alving. Oswald is thinking of the time when you were so | |
| | opposed to the idea of his being a painter. | |
|
|
| | Manders. We are only fallible, and many steps seem to us | |
| | hazardous at first, that afterwards—(grasps his hand). Welcome, | |
| | welcome! Really, my dear Oswald—may I still call you Oswald? | |
|
|
| | Oswald. What else would you think of calling me? | |
|
|
| | Manders. Thank you. What I mean, my dear Oswald, is that you must | |
| | not imagine that I have any unqualified disapproval of the | |
| | artist's life. I admit that there are many who, even in that | |
| | career, can keep the inner man free from harm. | |
|
|
| | Mrs. Alving (beaming with pleasure). I know one who has kept both | |
| | the inner and the outer man free from harm. Just take a look at | |
| | him, Mr. Manders. | |
|
|
| | Oswald (walks across the room). Yes, yes, mother dear, of course. | |
|
|
| | Manders. Undoubtedly—no one can deny it. And I hear you have | |
| | begun to make a name for yourself. I have often seen mention of | |
| | you in the papers—and extremely favourable mention, too. | |
| | Although, I must admit, lately I have not seen your name so | |
| | often. | |
|
|
| | Oswald (going towards the conservatory). I haven't done so much | |
| | painting just lately. | |
|
|
| | Mrs. Alving. An artist must take a rest sometimes, like other | |
| | people. | |
|
|
| | Manders. Of course, of course. At those times the artist is | |
| | preparing and strengthening himself for a greater effort. | |
|
|
| | Oswald. Yes. Mother, will dinner soon be ready? | |
|
|
| | Mrs. Alving. In half an hour. He has a fine appetite, thank | |
| | goodness. | |
|
|
| | Manders. And a liking for tobacco too. | |
|
|
| | Oswald. I found father's pipe in the room upstairs, and— | |
|
|
| | Manders. Ah, that is what it was! | |
|
|
| | Manders. When Oswald came in at that door with the pipe in his | |
| | mouth, I thought for the moment it was his father in the flesh. | |
|
|
| | Mrs. Alving. How can you say so! Oswald takes after me. | |
|
|
| | Manders. Yes, but there is an expression about the corners of his | |
| | mouth—something about the lips—that reminds me so exactly of | |
| | Mr. Alving—especially when he smokes. | |
|
|
| | Mrs. Alving. I don't think so at all. To my mind, Oswald has much | |
| | more of a clergyman's mouth. | |
|
|
| | Menders. Well, yes—a good many of my colleagues in the church | |
| | have a similar expression. | |
|
|
| | Mrs. Alving. But put your pipe down, my dear boy. I don't allow | |
| | any smoking in here. | |
|
|
| | Oswald (puts down his pipe). All right, I only wanted to try it, | |
| | because I smoked it once when I was a child. | |
|
|
| | Oswald. Yes; it was when I was quite a little chap. And I can | |
| | remember going upstairs to father's room one evening when he was | |
| | in very good spirits. | |
|
|
| | Mrs. Alving. Oh, you can't remember anything about those days. | |
|
|
| | Oswald. Yes, I remember plainly that he took me on his knee and | |
| | let me smoke his pipe. "Smoke, my boy," he said, "have a good | |
| | smoke, boy!" And I smoked as hard as I could, until I felt I was | |
| | turning quite pale and the perspiration was standing in great | |
| | drops on my forehead. Then he laughed—such a hearty laugh. | |
|
|
| | Manders. It was an extremely odd thing to do. | |
|
|
| | Mrs. Alving. Dear Mr. Manders, Oswald only dreamt it. | |
|
|
| | Oswald. No indeed, mother, it was no dream. Because—don't you | |
| | remember—you came into the room and carried me off to the | |
| | nursery, where I was sick, and I saw that you were crying. Did | |
| | father often play such tricks? | |
|
|
| | Manders. In his young days he was full of fun— | |
|
|
| | Oswald. And, for all that, he did so much with his life—so much | |
| | that was good and useful, I mean—short as his life was. | |
|
|
| | Manders. Yes, my dear Oswald Alving, you have inherited the name | |
| | of a man who undoubtedly was both energetic and worthy. Let us | |
| | hope it will be a spur to your energies. | |
|
|
| | Oswald. It ought to be, certainly. | |
|
|
| | Manders. In any case it was nice of you to come home for the day | |
| | that is to honour his memory. | |
|
|
| | Oswald. I could do no less for my father. | |
|
|
| | Mrs. Alving. And to let me keep him so long here—that's the | |
| | nicest part of what he has done. | |
|
|
| | Manders. Yes, I hear you are going to spend the winter at home. | |
|
|
| | Oswald. I am here for an indefinite time, Mr. Manders.—Oh, it's | |
| | good to be at home again! | |
|
|
| | Mrs. Alving (beaming). Yes, isn't it? | |
|
|
| | Manders (looking sympathetically at him). You went out into the | |
| | world very young, my dear Oswald. | |
|
|
| | Oswald. I did. Sometimes I wonder if I wasn't too young. | |
|
|
| | Mrs. Alving. Not a bit of it. It is the best thing for an active | |
| | boy, and especially for an only child. It's a pity when they are | |
| | kept at home with their parents and get spoiled. | |
|
|
| | Manders. That is a very debatable question, Mrs, Alving. A | |
| | child's own home is, and always must be, his proper place. | |
|
|
| | Oswald. There I agree entirely with Mr. Manders. | |
|
|
| | Manders. Take the case of your own son. Oh yes, we can talk about | |
| | it before him. What has the result been in his case? He is six or | |
| | seven and twenty, and has never yet had the opportunity of | |
| | learning what a well-regulated home means. | |
|
|
| | Oswald. Excuse me, Mr. Manders, you are quite wrong there. | |
|
|
| | Manders. Indeed? I imagined that your life abroad had practically | |
| | been spent entirely in artistic circles. | |
|
|
| | Manders. And chiefly amongst the younger artists. | |
|
|
| | Manders. But I imagined that those gentry, as a rule, had not the | |
| | means necessary for family life and the support of a home. | |
|
|
| | Oswald. There are a considerable number of them who have not the | |
| | means to marry, Mr. Manders. | |
|
|
| | Manders. That is exactly my point. | |
|
|
| | Oswald. But they can have a home of their own, all the same; a | |
| | good many of them have. And they are very well-regulated and very | |
| | comfortable homes, too. | |
|
|
| | (MRS. ALVING, who has listened to him attentively, nods assent, | |
| | but says nothing.) | |
|
|
| | Manders. Oh, but I am not talking of bachelor establishments. By | |
| | a home I mean family life&mdash |
|