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Chapter 12
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| 'So I came back. For a long time I must have been insensible | |
| | upon the machine. The blinking succession of the days and nights | |
| | was resumed, the sun got golden again, the sky blue. I breathed | |
| | with greater freedom. The fluctuating contours of the land ebbed | |
| | and flowed. The hands spun backward upon the dials. At last I | |
| | saw again the dim shadows of houses, the evidences of decadent | |
| | humanity. These, too, changed and passed, and others came. | |
| | Presently, when the million dial was at zero, I slackened speed. | |
| | I began to recognize our own petty and familiar architecture, the | |
| | thousands hand ran back to the starting-point, the night and day | |
| | flapped slower and slower. Then the old walls of the laboratory | |
| | came round me. Very gently, now, I slowed the mechanism down. | |
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| 'I saw one little thing that seemed odd to me. I think I have | |
| | told you that when I set out, before my velocity became very | |
| | high, Mrs. Watchett had walked across the room, travelling, as | |
| | it seemed to me, like a rocket. As I returned, I passed again | |
| | across that minute when she traversed the laboratory. But now | |
| | her every motion appeared to be the exact inversion of her | |
| | previous ones. The door at the lower end opened, and she glided | |
| | quietly up the laboratory, back foremost, and disappeared behind | |
| | the door by which she had previously entered. Just before that I | |
| | seemed to see Hillyer for a moment; but he passed like a flash. | |
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| 'Then I stopped the machine, and saw about me again the old | |
| | familiar laboratory, my tools, my appliances just as I had left | |
| | them. I got off the thing very shaky, and sat down upon my | |
| | bench. For several minutes I trembled violently. Then I became | |
| | calmer. Around me was my old workshop again, exactly as it had | |
| | been. I might have slept there, and the whole thing have been a | |
| | dream. | |
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| 'And yet, not exactly! The thing had started from the | |
| | south-east corner of the laboratory. It had come to rest again | |
| | in the north-west, against the wall where you saw it. That gives | |
| | you the exact distance from my little lawn to the pedestal of the | |
| | White Sphinx, into which the Morlocks had carried my machine. | |
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| 'For a time my brain went stagnant. Presently I got up and | |
| | came through the passage here, limping, because my heel was still | |
| | painful, and feeling sorely begrimed. I saw the PALL MALL | |
| | GAZETTE on the table by the door. I found the date was indeed | |
| | to-day, and looking at the timepiece, saw the hour was almost | |
| | eight o'clock. I heard your voices and the clatter of plates. I | |
| | hesitated—I felt so sick and weak. Then I sniffed good | |
| | wholesome meat, and opened the door on you. You know the rest. | |
| | I washed, and dined, and now I am telling you the story. | |
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| 'I know,' he said, after a pause, 'that all this will be | |
| | absolutely incredible to you. To me the one incredible thing is | |
| | that I am here to-night in this old familiar room looking into | |
| | your friendly faces and telling you these strange adventures.' | |
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| He looked at the Medical Man. 'No. I cannot expect you to | |
| | believe it. Take it as a lie—or a prophecy. Say I dreamed it | |
| | in the workshop. Consider I have been speculating upon the | |
| | destinies of our race until I have hatched this fiction. Treat | |
| | my assertion of its truth as a mere stroke of art to enhance its | |
| | interest. And taking it as a story, what do you think of it?' | |
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| He took up his pipe, and began, in his old accustomed manner, | |
| | to tap with it nervously upon the bars of the grate. There was a | |
| | momentary stillness. Then chairs began to creak and shoes to | |
| | scrape upon the carpet. I took my eyes off the Time Traveller's | |
| | face, and looked round at his audience. They were in the dark, | |
| | and little spots of colour swam before them. The Medical Man | |
| | seemed absorbed in the contemplation of our host. The Editor was | |
| | looking hard at the end of his cigar—the sixth. The Journalist | |
| | fumbled for his watch. The others, as far as I remember, were | |
| | motionless. | |
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| The Editor stood up with a sigh. 'What a pity it is you're | |
| | not a writer of stories!' he said, putting his hand on the Time | |
| | Traveller's shoulder. | |
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'You don't believe it?'
'Well——'
'I thought not.'
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| The Time Traveller turned to us. 'Where are the matches?' he | |
| | said. He lit one and spoke over his pipe, puffing. 'To tell you | |
| | the truth . . . I hardly believe it myself. . . . And yet . . .' | |
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| His eye fell with a mute inquiry upon the withered white | |
| | flowers upon the little table. Then he turned over the hand | |
| | holding his pipe, and I saw he was looking at some half-healed | |
| | scars on his knuckles. | |
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| The Medical Man rose, came to the lamp, and examined the | |
| | flowers. 'The gynaeceum's odd,' he said. The Psychologist leant | |
| | forward to see, holding out his hand for a specimen. | |
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| 'I'm hanged if it isn't a quarter to one,' said the | |
| | Journalist. 'How shall we get home?' | |
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'Plenty of cabs at the station,' said the Psychologist.
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| 'It's a curious thing,' said the Medical Man; 'but I certainly | |
| | don't know the natural order of these flowers. May I have them?' | |
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The Time Traveller hesitated. Then suddenly: 'Certainly not.'
'Where did you really get them?' said the Medical Man.
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| The Time Traveller put his hand to his head. He spoke like | |
| | one who was trying to keep hold of an idea that eluded him. | |
| | 'They were put into my pocket by Weena, when I travelled into | |
| | Time.' He stared round the room. 'I'm damned if it isn't all | |
| | going. This room and you and the atmosphere of every day is too | |
| | much for my memory. Did I ever make a Time Machine, or a model | |
| | of a Time Machine? Or is it all only a dream? They say life is | |
| | a dream, a precious poor dream at times—but I can't stand | |
| | another that won't fit. It's madness. And where did the dream | |
| | come from? . . . I must look at that machine. If there is one!' | |
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| He caught up the lamp swiftly, and carried it, flaring red, | |
| | through the door into the corridor. We followed him. There in | |
| | the flickering light of the lamp was the machine sure enough, | |
| | squat, ugly, and askew; a thing of brass, ebony, ivory, and | |
| | translucent glimmering quartz. Solid to the touch—for I put | |
| | out my hand and felt the rail of it—and with brown spots and | |
| | smears upon the ivory, and bits of grass and moss upon the lower | |
| | parts, and one rail bent awry. | |
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| The Time Traveller put the lamp down on the bench, and ran his | |
| | hand along the damaged rail. 'It's all right now,' he said. | |
| | 'The story I told you was true. I'm sorry to have brought you | |
| | out here in the cold.' He took up the lamp, and, in an absolute | |
| | silence, we returned to the smoking-room. | |
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| He came into the hall with us and helped the Editor on with | |
| | his coat. The Medical Man looked into his face and, with a | |
| | certain hesitation, told him he was suffering from overwork, at | |
| | which he laughed hugely. I remember him standing in the open | |
| | doorway, bawling good night. | |
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| I shared a cab with the Editor. He thought the tale a 'gaudy | |
| | lie.' For my own part I was unable to come to a conclusion. The | |
| | story was so fantastic and incredible, the telling so credible | |
| | and sober. I lay awake most of the night thinking about it. I | |
| | determined to go next day and see the Time Traveller again. I | |
| | was told he was in the laboratory, and being on easy terms in the | |
| | house, I went up to him. The laboratory, however, was empty. I | |
| | stared for a minute at the Time Machine and put out my hand and | |
| | touched the lever. At that the squat substantial-looking mass | |
| | swayed like a bough shaken by the wind. Its instability startled | |
| | me extremely, and I had a queer reminiscence of the childish days | |
| | when I used to be forbidden to meddle. I came back through the | |
| | corridor. The Time Traveller met me in the smoking-room. He was | |
| | coming from the house. He had a small camera under one arm and a | |
| | knapsack under the other. He laughed when he saw me, and gave me | |
| | an elbow to shake. 'I'm frightfully busy,' said he, 'with that | |
| | thing in there.' | |
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| 'But is it not some hoax?' I said. 'Do you really travel | |
| | through time?' | |
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| 'Really and truly I do.' And he looked frankly into my eyes. | |
| | He hesitated. His eye wandered about the room. 'I only want | |
| | half an hour,' he said. 'I know why you came, and it's awfully | |
| | good of you. There's some magazines here. If you'll stop to | |
| | lunch I'll prove you this time travelling up to the hilt, | |
| | specimen and all. If you'll forgive my leaving you now?' | |
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| I consented, hardly comprehending then the full import of his | |
| | words, and he nodded and went on down the corridor. I heard the | |
| | door of the laboratory slam, seated myself in a chair, and took | |
| | up a daily paper. What was he going to do before lunch-time? | |
| | Then suddenly I was reminded by an advertisement that I had | |
| | promised to meet Richardson, the publisher, at two. I looked at | |
| | my watch, and saw that I could barely save that engagement. I | |
| | got up and went down the passage to tell the Time Traveller. | |
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| As I took hold of the handle of the door I heard an | |
| | exclamation, oddly truncated at the end, and a click and a thud. | |
| | A gust of air whirled round me as I opened the door, and from | |
| | within came the sound of broken glass falling on the floor. The | |
| | Time Traveller was not there. I seemed to see a ghostly, | |
| | indistinct figure sitting in a whirling mass of black and brass | |
| | for a moment—a figure so transparent that the bench behind with | |
| | its sheets of drawings was absolutely distinct; but this phantasm | |
| | vanished as I rubbed my eyes. The Time Machine had gone. Save | |
| | for a subsiding stir of dust, the further end of the laboratory | |
| | was empty. A pane of the skylight had, apparently, just been | |
| | blown in. | |
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| I felt an unreasonable amazement. I knew that something | |
| | strange had happened, and for the moment could not distinguish | |
| | what the strange thing might be. As I stood staring, the door | |
| | into the garden opened, and the man-servant appeared. | |
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| We looked at each other. Then ideas began to come. 'Has Mr. | |
| | ——gone out that way?' said I. | |
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| 'No, sir. No one has come out this way. I was expecting to | |
| | find him here.' | |
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| At that I understood. At the risk of disappointing Richardson | |
| | I stayed on, waiting for the Time Traveller; waiting for the | |
| | second, perhaps still stranger story, and the specimens and | |
| | photographs he would bring with him. But I am beginning now to | |
| | fear that I must wait a lifetime. The Time Traveller vanished | |
| | three years ago. And, as everybody knows now, he has never | |
| | returned. | |
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