Act IV, Scene iii: Alexandria. A Room in the Palace.
|
| | ANTONY: | |
| | Eros! mine armour, Eros! | |
|
|
| | CLEOPATRA: | |
| | Sleep a little. | |
|
|
| | ANTONY: | |
| | No, my chuck.—Eros! Come, mine armour, Eros! | |
|
|
| |
[Enter EROS with armour.]
| |
|
|
| | Come, good fellow, put mine iron on.— | |
| | If fortune be not ours to-day, it is | |
| | Because we brave her.—Come. | |
|
|
| | CLEOPATRA: | |
| | Nay, I'll help too. | |
| | What's this for? | |
|
|
| | ANTONY: | |
| | Ah, let be, let be! Thou art | |
| | The armourer of my heart. False, false; this, this. | |
|
|
| | CLEOPATRA: | |
| | Sooth, la, I'll help: thus it must be. | |
|
|
| | ANTONY: | |
| | Well, well; | |
| | We shall thrive now.—Seest thou, my good fellow? | |
| | Go put on thy defences. | |
|
|
| | CLEOPATRA: | |
| | Is not this buckled well? | |
|
|
| | ANTONY: | |
| | Rarely, rarely; | |
| | He that unbuckles this, till we do please | |
| | To daff't for our repose, shall hear a storm.— | |
| | Thou fumblest, Eros, and my queen's a squire | |
| | More tight at this than thou: despatch.—O love, | |
| | That thou couldst see my wars to-day, and knew'st | |
| | The royal occupation! Thou shouldst see | |
| | A workman in't.— | |
|
|
| |
[Enter an Officer, armed.]
| |
|
|
| | Good-morrow to thee; welcome: | |
| | Thou look'st like him that knows a warlike charge: | |
| | To business that we love we rise betime, | |
| | And go to't with delight. | |
|
|
| | OFFICER: | |
| | A thousand, sir, | |
| | Early though't be, have on their riveted trim, | |
| | And at the port expect you. | |
|
|
| |
[Shout. Flourish of trumpets within.]
| |
|
|
| |
[Enter other Officers and Soldiers.]
| |
|
|
| | SECOND OFFICER: | |
| | The morn is fair.—Good morrow, general. | |
|
|
| | ALL: | |
| | Good morrow, general. | |
|
|
| | ANTONY: | |
| | 'Tis well blown, lads: | |
| | This morning, like the spirit of a youth | |
| | That means to be of note, begins betimes.— | |
| | So, so; come, give me that: this way; well said.— | |
| | Fare thee well, dame, whate'er becomes of me: | |
| |
[Kisses her.]
| |
| | This is a soldier's kiss: rebukeable, | |
| | And worthy shameful check it were, to stand | |
| | On more mechanic compliment; I'll leave thee | |
| | Now like a man of steel.—You that will fight, | |
| | Follow me close; I'll bring you to't. Adieu. | |
|
|
| |
[Exeunt ANTONY, EROS, Officers and Soldiers.]
| |
|
|
| | CHARMIAN: | |
| | Please you, retire to your chamber. | |
|
|
| | CLEOPATRA: | |
| | Lead me. | |
| | He goes forth gallantly. That he and Caesar might | |
| | Determine this great war in single fight! | |
| | Then, Antony,—but now—Well, on. | |
|
|
|
|
|
| |
 |
Read the complete texts of Shakespeare's plays along with an easy to understand translation.
More...
|
|
|
 |
It's the only book you'll need to beat the new SAT.
More...
|
|
| |
| |
|
 |
 |
Go to top |
|
|
|
|