Act III, Scene iv: Another part of the forest. Before a Cottage.
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| | ROSALIND: | |
| | Never talk to me; I will weep. | |
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| | CELIA: | |
| | Do, I pr'ythee; but yet have the grace to consider that | |
| | tears do not become a man. | |
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| | ROSALIND: | |
| | But have I not cause to weep? | |
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| | CELIA: | |
| | As good cause as one would desire; therefore weep. | |
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| | ROSALIND: | |
| | His very hair is of the dissembling colour. | |
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| | CELIA: | |
| | Something browner than Judas's: marry, his kisses are Judas's own | |
| | children. | |
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| | ROSALIND: | |
| | I' faith, his hair is of a good colour. | |
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| | CELIA: | |
| | An excellent colour: your chestnut was ever the only colour. | |
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| | ROSALIND: | |
| | And his kissing is as full of sanctity as the touch of holy | |
| | bread. | |
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| | CELIA: | |
| | He hath bought a pair of cast lips of Diana: a nun of | |
| | winter's sisterhood kisses not more religiously; the very ice | |
| | of chastity is in them. | |
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| | ROSALIND: | |
| | But why did he swear he would come this morning, and comes not? | |
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| | CELIA: | |
| | Nay, certainly, there is no truth in him. | |
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| | ROSALIND: | |
| | Do you think so? | |
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| | CELIA: | |
| | Yes; I think he is not a pick-purse nor a horse-stealer; but | |
| | for his verity in love, I do think him as concave as covered | |
| | goblet or a worm-eaten nut. | |
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| | ROSALIND: | |
| | Not true in love? | |
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| | CELIA: | |
| | Yes, when he is in; but I think he is not in. | |
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| | ROSALIND: | |
| | You have heard him swear downright he was. | |
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| | CELIA: | |
| | 'Was' is not 'is': besides, the oath of a lover is no | |
| | stronger than the word of a tapster; they are both the | |
| | confirmer of false reckonings. He attends here in the forest | |
| | on the duke, your father. | |
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| | ROSALIND: | |
| | I met the duke yesterday, and had much question with | |
| | him. He asked me of what parentage I was; I told him, of as good | |
| | as he; so he laughed and let me go. But what talk we of fathers | |
| | when there is such a man as Orlando? | |
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| | CELIA: | |
| | O, that's a brave man! he writes brave verses, speaks brave | |
| | words, swears brave oaths, and breaks them bravely, quite | |
| | traverse, athwart the heart of his lover; as a puny tilter, | |
| | that spurs his horse but on one side, breaks his staff like a | |
| | noble goose: but all's brave that youth mounts and folly guides.- | |
| | -Who comes here? | |
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| | CORIN: | |
| | Mistress and master, you have oft enquired | |
| | After the shepherd that complain'd of love, | |
| | Who you saw sitting by me on the turf, | |
| | Praising the proud disdainful shepherdess | |
| | That was his mistress. | |
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| | CELIA: | |
| | Well, and what of him? | |
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| | CORIN: | |
| | If you will see a pageant truly play'd | |
| | Between the pale complexion of true love | |
| | And the red glow of scorn and proud disdain, | |
| | Go hence a little, and I shall conduct you, | |
| | If you will mark it. | |
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| | ROSALIND: | |
| | O, come, let us remove: | |
| | The sight of lovers feedeth those in love. | |
| | Bring us to this sight, and you shall say | |
| | I'll prove a busy actor in their play. | |
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