Act IV, Scene ii
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| | QUINCE | |
| | Have you sent to Bottom's house? is he come home yet? | |
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| | STARVELING | |
| | He cannot be heard of. Out of doubt, he is transported. | |
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| | FLUTE | |
| | If he come not, then the play is marred; it goes not | |
| | forward, doth it? | |
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| | QUINCE | |
| | It is not possible: you have not a man in all Athens | |
| | able to discharge Pyramus but he. | |
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| | FLUTE | |
| | No; he hath simply the best wit of any handicraft man in | |
| | Athens. | |
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| | QUINCE | |
| | Yea, and the best person too: and he is a very paramour | |
| | for a sweet voice. | |
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| | FLUTE | |
| | You must say paragon: a paramour is, God bless us, a thing of | |
| | naught. | |
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| | SNUG | |
| | Masters, the duke is coming from the temple; and there is | |
| | two or three lords and ladies more married: if our sport had gone | |
| | forward, we had all been made men. | |
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| | FLUTE | |
| | O sweet bully Bottom! Thus hath he lost sixpence a day | |
| | during his life; he could not have 'scaped sixpence a-day; an | |
| | the duke had not given him sixpence a-day for playing Pyramus, | |
| | I'll be hanged; he would have deserved it: sixpence a-day in | |
| | Pyramus, or nothing. | |
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| | BOTTOM | |
| | Where are these lads? where are these hearts? | |
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| | QUINCE | |
| | Bottom!—O most courageous day! O most happy hour! | |
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| | BOTTOM | |
| | Masters, I am to discourse wonders: but ask me not | |
| | what; for if I tell you, I am not true Athenian. I will tell you | |
| | everything, right as it fell out. | |
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| | QUINCE | |
| | Let us hear, sweet Bottom. | |
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| | BOTTOM | |
| | Not a word of me. All that I will tell you is, that the | |
| | duke hath dined. Get your apparel together; good strings to | |
| | your beards, new ribbons to your pumps; meet presently at the | |
| | palace; every man look over his part; for the short and the long | |
| | is, our play is preferred. In any case, let Thisby have clean | |
| | linen; and let not him that plays the lion pare his nails, for | |
| | they shall hang out for the lion's claws. And, most dear actors, | |
| | eat no onions nor garlick, for we are to utter sweet breath; and | |
| | I do not doubt but to hear them say it is a sweet comedy. No more | |
| | words: away! go; away! | |
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