READ STUDY GUIDE: Act III, Scenes i and ii |
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Act III, Scene ii:
Rome. A Room in TITUS'S House. A banquet set out.
Rome. A Room in TITUS'S House. A banquet set out.
| [Enter TITUS, MARCUS, LAVINIA, and YOUNG LUCIUS, a boy.] |
| TITUS : |
| So so, now sit: and look you eat no more |
| Than will preserve just so much strength in us |
| As will revenge these bitter woes of ours. |
| Marcus, unknit that sorrow-wreathen knot: |
| Thy niece and I, poor creatures, want our hands, |
| And cannot passionate our tenfold grief |
| With folded arms. This poor right hand of mine |
| Is left to tyrannize upon my breast; |
| And, when my heart, all mad with misery, |
| Beats in this hollow prison of my flesh, |
| Then thus I thump it down.— |
| [To LAVINIA] Thou map of woe, that thus dost talk in signs! |
| When thy poor heart beats with outrageous beating, |
| Thou canst not strike it thus to make it still. |
| Wound it with sighing, girl; kill it with groans; |
| Or get some little knife between thy teeth, |
| And just against thy heart make thou a hole, |
| That all the tears that thy poor eyes let fall |
| May run into that sink, and, soaking in, |
| Drown the lamenting fool in sea-salt tears. |
| MARCUS : |
| Fie, brother, fie! teach her not thus to lay |
| Such violent hands upon her tender life. |
| TITUS : |
| How now! has sorrow made thee dote already? |
| Why, Marcus, no man should be mad but I. |
| What violent hands can she lay on her life? |
| Ah, wherefore dost thou urge the name of hands;— |
| To bid Aeneas tell the tale twice o'er |
| How Troy was burnt and he made miserable? |
| O, handle not the theme, to talk of hands, |
| Lest we remember still that we have none.— |
| Fie, fie, how frantically I square my talk,— |
| As if we should forget we had no hands, |
| If Marcus did not name the word of hands!— |
| Come, let's fall to; and, gentle girl, eat this.— |
| Here is no drink! Hark, Marcus, what she says;— |
| I can interpret all her martyr'd signs;— |
| She says she drinks no other drink but tears, |
| Brew'd with her sorrow, mesh'd upon her cheeks:— |
| Speechless complainer, I will learn thy thought; |
| In thy dumb action will I be as perfect |
| As begging hermits in their holy prayers: |
| Thou shalt not sigh, nor hold thy stumps to heaven, |
| Nor wink, nor nod, nor kneel, nor make a sign, |
| But I of these will wrest an alphabet, |
| And by still practice learn to know thy meaning. |
| BOY : |
| Good grandsire, leave these bitter deep laments: |
| Make my aunt merry with some pleasing tale. |
| MARCUS : |
| Alas, the tender boy, in passion mov'd, |
| Doth weep to see his grandsire's heaviness. |
| TITUS : |
| Peace, tender sapling; thou art made of tears, |
| And tears will quickly melt thy life away.— |
| [MARCUS strikes the dish with a knife.] |
| What dost thou strike at, Marcus, with thy knife? |
| MARCUS : |
| At that that I have kill'd, my lord,—a fly. |
| TITUS : |
| Out on thee, murderer! thou kill'st my heart; |
| Mine eyes are cloy'd with view of tyranny: |
| A deed of death done on the innocent |
| Becomes not Titus' brother: get thee gone; |
| I see thou art not for my company. |
| MARCUS : |
| Alas, my lord, I have but kill'd a fly. |
| TITUS : |
| But how if that fly had a father and mother? |
| How would he hang his slender gilded wings |
| And buzz lamenting doings in the air! |
| Poor harmless fly, |
| That with his pretty buzzing melody |
| Came here to make us merry! and thou hast kill'd him. |
| MARCUS : |
| Pardon me, sir; 'twas a black ill-favour'd fly, |
| Like to the empress' Moor; therefore I kill'd him. |
| TITUS : |
| O, O, O! |
| Then pardon me for reprehending thee, |
| For thou hast done a charitable deed. |
| Give me thy knife, I will insult on him, |
| Flattering myself as if it were the Moor |
| Come hither purposely to poison me.— |
| There's for thyself, and that's for Tamora.— |
| Ah, sirrah! |
| Yet, I think, we are not brought so low |
| But that between us we can kill a fly |
| That comes in likeness of a coal-black Moor. |
| MARCUS : |
| Alas, poor man! grief has so wrought on him, |
| He takes false shadows for true substances. |
| TITUS : |
| Come, take away.—Lavinia, go with me; |
| I'll to thy closet; and go read with thee |
| Sad stories chanced in the times of old.— |
| Come, boy, and go with me: thy sight is young, |
| And thou shalt read when mine begin to dazzle. |
| [Exeunt.] |
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